The racism, the sexism, I never let it be my problem. It's their problem. If I see a door comin' my way, I'm knockin' it down. And if I can't knock down the door, I'm sliding through the window. I'll never let it stop me from what I wanna do.
There are people out there who genuinely love literature, who genuinely love to read and read widely, who will never like, or even necessarily get, my books. That was a hard one to swallow, to not feel slighted by.
Never pay the slightest attention to what a company president ever says about his stock.
Never bend the rules. You bend the rules a little bit and then it's a slippery slope.
I'm not going to worry about the Cure slipping down into the second division; it doesn't bother me because I never expected to be in the first division anyway.
I would like to be No. 2 but never No. 1. When I was No. 1, all eyes were on me. No. 2 slips out the door quietly and makes another great record.
My mother never threw anything out. If there was a sliver of a tomato, it was in the refridge. I would come in with my friends, and Mom would say, 'Want something to eat?' In 20 minutes, there was four, five dishes to eat.
I was never sloppy with other people's money. Only my own. Because I figure, well, you can be.
They could never put me in a slot. They couldn't say Glen was 'country,' 'pop' or 'rock.' I'm crock, OK? A cross between country and rock. Call me crock.
I've been pretty lucky - or slothful - in that I've never been a 'career builder.' I take the jobs that come along that feel right, and that's left me fairly open to all genres, really. But with 'Caprica,' the complex, dark and very smart script was the draw.
Because you know how you say I've got to really get down and really do some training and then of course, you never do or you do it for a couple of weeks and slough it back off again but I'm being forced to do something that I really want to do and I loved it.
Everyone who has ever asked for asylum in Slovakia was granted asylum if that person met the conditions. There was never any discrimination based on religion.
I am a slow walker, but I never walk back.
I always kind of dreamed locally - I never really ever dream that I would be south of the border; I dreamed about being a theatre star in Toronto, and maybe I'd do Stratford and regional stuff. I always thought it would be a slow growth.
Selling a film option and getting a studio on board can be a slow process, and until things are official, you never want to spill the beans.
Every time I do a play, it's as if I've never done one before. I'm always confused. I always am convinced I'm going to be fired. I'm like, 'I don't remember how to act. I don't know how to do this.' And, it's just a very slow process, and then, all of a sudden, it's just there one day. I still don't understand how it happens.
'Slumdog' was my first movie, and I had never been to India before - I was just a teenager in the U.K. with my headphones and my Nike shoes. What did I know about growing up in a slum?
I never thought for one second I'd be able to play with a real band. When I was in high school, I went through a lot of bad treatment and was called a lot of names by boys because I wanted to play. Sly was different.
Sly always had us rehearsing, and he always had something planned out that he wanted us to do. So it wasn't ever like, 'Well what should we work on?' It was never that. He always had the plan, 'This is what we're going to do today, shoop shoop shoop shoop,' and everybody's minds were in the same direction.
My parents paid me small amounts for cleaning my room or cleaning the dishes and stuff, but I never really had a real job before I started on my professional tennis career.
