When you're heartbroken, you're at your most creative - you have to channel all your energies into something else to not think about it. Contentment is a creativity killer, but don't worry - I'm very capable of making myself discontented.
When I was young and I could dream a bit, I could see myself participating in the slam dunk contest. I've always wanted to experience that.
At one time in my life, I stood in queues for 'Indian Idol' auditions, and I got eliminated at Top 8 or Top 9. I could have never imagined that one day I will be judging this show where I was a contestant myself.
As I slowly managed to take what I had learned into a transition from contestant to announcer and warm-up, I first had to prove myself on pilots. And as you know, many pilots are taped for each show that is lucky enough to breakthrough to being a series.
I wouldn't compare myself to any past Idol contestant, because I don't feel like I am like any of them. Maybe stories are cool but my story is different from most people's story. I don't like to compare myself to other people, I like to just be me.
When I say I'm famous, I'm not kidding myself. I know my place in the celebrity kingdom - right at the bottom next to reality-show contestants, local politicians, and day-players on 'Law & Order.'
That's something that I do pride myself on: making those tough and contested catches, whether it's in the red-zone or on third down.
Thanks to 'I'm Yours,' I'm probably set for a really long time. The pressure I put on myself, or what I hope my 'I Won't Give Up' does, is to make a difference in people's lives... With 'I'm Yours,' I got to go out and set my feet on different continents, and expose myself to different cultures and causes.
All of my scripts are based on other people's novels. Generally, I consider myself as one who writes for theatre. I do not see film work as a continuation of writing for theatre. It is more of an interruption of the writing process.
I really see myself continuing to design clothes, fragrances.
I think actors go along a continuum from Simon Callow down to kind of Ross Kemp, and I like to think of myself as the Ross Kemp of comedy. He's very good in 'East Enders' because he plays a version of himself. I think I can play a version of myself - that's about all I can do.
Had I been more responsible I might have made something of myself as a junk bond trader, long-haul trucker or perhaps a plumbing contractor.
It is also said of me that I now and then contradict myself. Yes, I improve wonderfully as time goes on.
People say I contradict myself because I come gangsta and teach at the same time. I don't want to be too much on either side, but I do want to speak to all audiences.
I write to keep from going mad from the contradictions I find among mankind - and to work some of those contradictions out for myself.
I undertake the same project as Montaigne, but with an aim contrary to his own: for he wrote his Essays only for others, and I write my reveries only for myself.
I cannot with any real integrity perform songs I've done for 25 years. I don't need the money. What I need is to feel that I am not letting myself down as an artist and that I still have something to contribute.
It's just the risk that I take and the sacrifice that I make: Putting myself, my career, my family's peace of mind on the line just to do right by my fans. It ain't no gray area: You're either with that and willing to go out of your way to make people who contribute to your dreams coming true happy or you aren't.
I contribute my best in my sport and I also have a ton of respect for myself and my family.
In 1986, I returned to London as editor in chief of 'British Vogue.' Although I still thought of myself as totally English, to my surprise, everyone here thought I was some sort of American control freak.
