I consider myself a realist.
I'm surrendering myself to the realities of the Internet.
I, myself, I am not interested in reality television; just me, myself, speaking.
'Colors' is pretty good. It takes you inside the cop car bit. I like reality myself. I like reality-based kind of movies.
I think I realized it was an art form at the beginning, but it took me a really long time before I was able to view what I was performing myself as an art form.
I've been writing since I was really young, so I considered myself a writer for a really long time.
I so think it's limiting to define an audience ahead of time. This is something I've brought on myself by being like, 'There are no 'real' teen publications! That's what I'll do!' But then it's like, well, if I want 'Rookie' to be successful and popular, then people will invalidate the realness by saying it's popular and mainstream.
I didn't know, at 22, that regret is useless. If I could go back and change something - give myself some big break, pass along some secret information, reassure myself that most things would, in fact, work out - I don't think I would.
In calling someone a bad guy, I reassure myself that I'm good. I elevate myself. I call it the 'Star Wars morality'. And unfortunately, it underpins most of the stories we tell.
I'm rebelling against being handed a career, like, 'You're the next this; you're the next that.' I'm not the next anything, I'm the first me. I can't be myself, I can't just be Idris Elba. But that's just the nature of the business.
I used to believe that people are only born once, but now I feel I have been reborn, like I was given a new life. I see myself as a child, full of energy and hope.
I have continued to work at different things, and rebuilt my home all by myself. I did it for the sake of satisfaction at doing something. I did it because I happened to be where I was.
Life is composed of different inventions. I have continued to work at different things and rebuilt my home all by myself. I did it for the sake of satisfaction at doing something.
So then, when I speak to you, I speak to myself. If I seem to warn or to rebuke you, it is not so much you, as myself, to whom the warning or the rebuke is addressed.
Sometimes I forget some of the things I've done. I recently recalled that after Watergate I went away by myself to Tahiti for a month, moving from island to island. That was a point in my life where I didn't know what was next.
It really costs me a lot emotionally to watch myself on screen. I think of myself, and feel like I'm quite young, and then I look at this old man with the baggy chins and the tired eyes and the receding hairline and all that.
I don't think of myself as a small receiver, but you can't control what somebody says about you. It hasn't held me back - actually, I think I've changed the perception of smaller receivers.
I've sort of accidentally put myself in this position where I opened up the story of my life, and of course people want to reciprocate and open up to me. I'm OK at it, I don't make people feel worse, but it's strange to find myself in this role, all of a sudden, that I never would have pursued.
There was this girl who went to my school, and she did a Nikki Giovanni poem, 'Ego Tripping,' and it was just different from everyone else's. It wasn't flat recitation. It had an energy and a life to it. And it made me sit up in my seat, and my eyes got wide, and I really felt inside myself, 'She's making me feel things. I want to do that.'
When I think about it, I was working very hard the summer before I applied to graduate school. I was going to the library every day in the summer. I read a play a day for about three months. I was taking audition classes, and I was reciting lines to myself and acting as my own scene partner. But I was having fun.