I have a lot of energy, and if I don't keep myself busy, I go crazy. I alphabetise the spice rack, separate the Lego from the Playmobile, colour-code the knicker drawers - it's scary! My house loves it when I'm working so the linen cupboard can get a rest. I just don't sit around.
I probably have about four or five cups of coffee a day. I make myself an espresso macchiato when I wake, which is a shot of espresso and just a dollop of steamed milk. Then, if I'm going to do some work at home, I would make myself a French press. It's the best way to make conventional coffee.
I don't necessarily make much art myself, but after I wrote 'Warped Passages,' I was fortunate to get involved a little in the art world. I got invited to write a libretto for what we called a projective opera, and I also got invited to curate an art exhibit.
I don't like the word 'poetry,' and I don't like poetry readings, and I usually don't like poets. I would much prefer describing myself and what I do as: I'm kind of a curator, and I'm kind of a night-owl reporter.
My job is art curator, not artist. All I have ever wanted to do is immerse myself in art, to enjoy it, to learn about it, to write about it, to talk to others about it.
The willed recovery of what's been lost - often forcibly, I suppose - is what keeps me going. It is this reason I found myself a poet and a collector and now a curator: to save what we didn't even know needed saving.
The privilege I've had as a curator is not just the discovery of new works... but what I've discovered about myself and what I can offer in the space of an exhibition - to talk about beauty, to talk about power, to talk about ourselves, and to talk and speak to each other.
It's not that I am not emotional, but I am extremely secure and curb it, as I am afraid to let go and be broken. So, I have cultivated myself to be detached in life, specially where movies are concerned.
I don't believe in proving myself, ever. I'm in the school of thought where if someone is a curious person, they can find whatever they want.
I think for me I'm always... I find myself to be a very curious person when something interests me and I find that I'm attracted to that mystery.
Everyday... well, if I'm doing it myself, I have my five-minute makeup routine, which is I do tinted moisturizer, and then I do a quick concealer, and I use our bronzer every day. And then I have to curl my lashes, and then I do our Quickie mascara, and that's it.
I do think of myself as a bit of a loner, a bit of an independent. I'm one of those people who, when they're sick, like to curl up and remove myself. I don't like a lot of people around. There is nothing you can do to help.
I'm an entrepreneur, so I've got to be ruthless about 'me' time if I want to have any left to myself! I make myself leave the office by 8 or 9 P.M. most nights, even if I do curl up with my laptop and a glass of wine at home to get through email.
On 'Black-ish,' I like my makeup to be really natural - so much that I can do it myself. My character is a mother of four and a doctor and a wife, who would not have time to be putting on eyeshadow or curling her lashes.
I have a bronze statue of myself, naked. I have these really big curls and water comes out of every curl. It's hot.
I have to admit I've found myself doing the same things that a lot of other rock stars do or are forced to do. Which is not being able to respond to mail, not being able to keep up on current music, and I'm pretty much locked away a lot. The outside world is pretty foreign to me.
I like fiction and the kind of history that gives the grace and flavor of fiction to the past. No bloviation on current events, please. I can write that junk myself.
The cool thing about Snapchat is you can get a lot of news on there now. There's CNN, ESPN, and I find myself reading the most random articles. I don't know how it actually benefits me, but it's interesting. I like to stay up on current events, so I have to give kudos to Snapchat: they've done a good job of that. But I'm on there way too much.
When hiring somebody, I never ask to see a curriculum vitae. I feel that since I didn't have one myself, it would be a bit presumptuous to ask to see anyone else's.
I cannot imagine myself fitting into the existing curriculum. I am too self-willed for that and have had my own very definite ideas for a long time, very different from the existing ways, as to how architecture is to be taught.
