Nazis don't have the right to put up a sign next to the Holocaust museum in Washington.
I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
I developed an interest in the history of the Negro leagues to the point where I visited the museum in Kansas City, Mo., twice and made the museum an integral part of my unheralded 2005 coming-of-age baseball novel, 'Scooter.'
There's a statue of Jimmy Stewart in the Hollywood Wax Museum, and the statue talks better than he does.
My form is more on the lines of a Chinese porcelain-jar juggler. They learn it as a child. They learn, learn, learn, learn - but not with a porcelain jar. Then, when they're ready to perform, they're taken to a museum, and they're given a porcelain jar for a lifetime to use. When they're done, it's returned to the museum.
Republicans have called for a National African-American Museum. The plan is being held up by finding a location that isn't in their neighborhood.
Seattle has a long tradition of celebrating local and non-local art - from the Burke and Seattle Art Museums to the Asian Art Museum.
What's the name of that famous museum in Paris? The Louvre? I went through that place in 20 minutes.
It's a lovely experience walking around a museum by yourself.
I am part of a team organising an Emma Hamilton exhibition for the National Maritime Museum for 2016, and the amount of planning is a revelation - borrowing from museums and collections all over the world.
Te Papa Museum is brilliant.
Sometimes Peggy herself would sell tickets to her museum, and if tourists asked her if Mrs. Guggenheim was still alive, she'd assure them she wasn't.
The Whitney is a museum that has a great rapport with younger artists and the community.
Reality TV to me is the museum of social decay.
I'm in a museum. I'm a relic.
The first painting I remember selling was 'Panthera.' I made it while I was in residence at the Studio Museum in Harlem, and the museum actually purchased it directly from me.
Uncritical semantics is the myth of a museum in which the exhibits are meanings and the words are labels. To switch languages is to change the labels.
By a museum, I assume you mean an institution dedicated to the events of Sept. 11 and the aftermath. If that is done with sensitivity, I think it would be most appropriate.
I bought a year's production of flax from a single field owned by a Dutch producer. That's 10,000 kilograms of flax, enough to enable industrial level production. Now, I'm weaving it into tablecloths, tea towels, and other items at the Textile Museum in Tilburg. I'm producing hundreds of grown-up products!
The Thames could be thought of as England's longest archaeological site, and no fewer than 90,000 objects recovered from its foreshore are in the collection of the Museum of London, whose 30-year relationship with London mudlarks is both committed and highly regulated.