Our brand at Netflix is really focused on movies and TV shows.
Me and Woody Harrelson, we're twins. We're the same person. I should only make movies with him.
The thing about the UK is we don't really make that many great movies.
I've always been fascinated by Baretta and Donny Brasco, and other undercover cops in movies.
Frankly, I find it very odd that, in a population that's more than 50 per cent of women, that Hollywood isn't producing more movies to cater to that audience. The demographic is being grossly underserved, in my opinion.
We grew up as kids watching those movies and we were exposed to themes of civil rights, unfairness, bigotry and fathers struggling against the kind of mob of the town, so you remember how you felt as a kid being taken seriously, that you are part of the human drama.
You can't make movies without known names, and unknowns can't become known, because they can't get work.
Over the years all these vampire movies have come out and nobody looks like a vampire anymore.
I'm a big fan of vampire movies generally and that sort of tradition of characters.
I think it's cyclical. Zombies have been around for ages, and vampires have run their course; we've had so many vampire movies.
One of my favorite vampire movies is 'Nosferatu,' which has a palpable sense of dread that's a pre-war dread.
I love vampire movies. I think they are sexy.
I've noticed that when people make vampire movies, they're always determining which of the rules they're going to stick to and which they'll abandon.
I think the reason vampire movies have been so popular over time is that they share so many parallels with human beings.
I don't get to play the same role over and over in different movies. The roles that I get to play are quite varied, which is great.
Dance, vaudeville, drama, movies - as a child I loved everything that went on in a theater.
The great thing about 'Vera Stark' is that my research was watching movies, screwball comedies, so I could literally sit back and relax.
I hadn't watched any Hitchcock movies when I made 'Tom at the Farm,' except for 'Vertigo' when I was 8 years old. I don't have a sophisticated film knowledge, but I have seen the legacy of classic movies in broader entertainment.
I moved to California when I was twelve and I got a video camera and made little movies because I didn't have any friends yet. I would force my sister to make these movies with me - which became my YouTube channel.
I don't have a typical filmmaker background. I didn't grow up with a super eight camera or a video camera. I didn't start cutting movies when I was four or five.
