I was inspired by Solange's album, 'A Seat At The Table,' from the moment that I heard it. She has clearly taken the time to create a unique body of work and emote through her music from a true place.
Even in a crowded room, likable leaders make people feel like they're having a one-on-one conversation, as if they're the only person in the room that matters. And, for that moment, they are. Likable leaders communicate on a very personal, emotional level.
The way I navigate scenes is through what I perceive to be the emotional truth of the character: what he wants from moment to moment.
When you sit at your desk, if you're lucky, there's a moment when you feel empowered to be someone or something else, to leap into another skin.
Putting yourself out there is hard, but it's so worth it. I don't think anyone who has ever spoken out, or stood up or had a brave moment, has regretted it. It's empowering and confidence-building and inspiring. Not only to other people, but to yourself.
A lot of times songs are very much of a moment, that you just encapsulate. They come to you, you write them, you feel good that day, or bad that day.
I myself have never been enchanted by the dream of the white wedding, and, heaven help us, the expectation that this exquisitely catered event should be 'the happiest moment' of one's life.
The best way I knew how was to give 110% and want it more than them, and walk on the court and every moment of the match feel like it was the end of the world, in a sense. So that worked for me in a lot of ways. There were times that it hurt me, but for the most part, it helped me.
I understand that there are thick, dark circles under my eyes. I have grown to appreciate them. I have noticed that my nose grows a little hookier on a near-monthly basis. That's fine. I know there are wrinkles ready to stake their claim as full time residents on my forehead any moment now. My dad has those, too, and I find that endearing.
When people approach me, it's a vulnerable moment for everybody. You can see that sometimes people don't quite know what to say to you, but they want to come up to you, and you can tell they're nervous, and it's really humbling and endearing.
Kathy Dewar, my high-school English teacher, introduced me to journalism. From the moment I wrote my first article for the student paper, I convinced myself that having my name in print - writing in English, interviewing Americans - validated my presence here.
This is a moment that I deeply wish my parents could have lived to share. My father would have enjoyed what you have so generously said of me-and my mother would have believed it.
If I wake up in the night terrified, I try to find a way to not let the fear have me. Every moment you spend in fear of cancer is a moment you've wasted enjoying life. Replace that fear - get in the moment and enjoy it.
It's really been enlightening for me to work with composers because I used to think that everything in the music was exactly what the composer meant. Well, it's what the composer meant in that moment when they wrote it.
The Israeli public's willingness to enlist, the warm embrace for the soldiers and the residents of the south, and the desire to contribute and to give at any given moment really warm the heart, and it gives all of us strength.
The moment you enlist in the army of God, you personally become a target. You need to remember that if you're living for and walking with Jesus Christ, the powers of darkness are aligned against you.
Growing up in Ireland, when my family received important news, good or bad, we would boil water and make tea. It was the first thing I did when my father died in 1984. This ritual allowed me a moment to take in the enormity of what had happened.
Nineteen sixty-eight was one exciting moment in a much larger movement. It spawned a whole range of movements. There wouldn't have been an international global solidarity movement, for instance, without the events of 1968. It was enormous, in terms of human rights, ethnic rights, a concern for the environment, too.
When I was 11 years old, my parents wanted me to do something besides get in trouble. So they enrolled me in sailing classes at the Sea Shell Association in Santa Barbara, Calif. From the moment I climbed into that 8-foot dinghy in 1952, I knew instinctively what to do and sensed I had done it before.
I remember when I did my Enron film, my executive producers at the time felt very strongly that I should mock the Enron executives more viciously because everybody wanted that moment.
