I have been very fortunate since 'Ice Age' to make movies that somehow charm audiences. I think that the key to it for me has been coming up with the right ideas but, more importantly, choosing the right collaborators and artists to execute those ideas.
A favorite film? The first 'Ice Age' and the first 'Despicable Me.' They're the films that have introduced me to characters that I still feel extremely bonded with.
'Ice Age 4' came totally out of nowhere for me. I was told Fox Animation was interested in hiring me as a story supervisor or something or other that sounded way too professional for me.
I'm happy to be for people what Scarface, Ice Cube, and Rakim have been for me.
I used to be mad, at first, that I couldn't sound like Ice Cube. And I think that was probably one of the best things for me.
I don't want to be judged next to guys like Suge Knight. I want to be measured next to David Geffen, Irving Azoff, and Clive Davis. Whether I measure up or not, I let my record speak for me. That's how I want to be judged - by what I've done, not by what people like Ice Cube and Dr. Dre have said about me.
Every once in a while, I hear somebody call me Tracy to try to let me know that they know me, you know, personally. But most of my real friends will call me Trey, or 'Ice' was basically short for Iceberg. So they would call me - some of my boys call me Berg.
I'm fascinated with acting now. In retrospect, I was only beginning to chip off the tip of the iceberg with how far I can go or what I was exploring inside of me that I hadn't touched in a while as far as emotional headspaces.
People are always asking me about eskimos, but there are no eskimos in Iceland.
When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.
I have wandered over Europe, have rambled to Iceland, climbed the Alps, been for some years lodged among the marshes of Essex - yet nothing that I have seen has quenched in me the longing after the fresh air, and love of the wild scenery, of Dartmoor.
For me, it's about making art that's not good but phenomenal. James Baldwin didn't want to just stay above the fray. Prince didn't think, 'I wonder what the industry is gonna think about 'Purple Rain.'' It's just, is this honest? Is this real? Does this move me? The rest is icing.
I guess I feel that I was following my instincts, and at the same time being guided by the best. I became totally intrigued with Louisiana - the people, the food. It is a part of my life. Everything that has happened for me since moving here has just been icing on the cake.
Most of my ideas are based on the latest research on productivity, performance and mental mastery - that's why so many iconic companies bring me in to help them grow and win.
For me, being able to say that my first-ever photo shoot was with one of the most well-known and iconic fashion photographers in the world is unbelievable.
Lipstick is iconic. It's the one product that marks out an era, and a certain lip colour can define a season. It makes me feel more 'done'. I wear a beige lip in the day, but red when I'm going somewhere - it makes that transition from day to night. I just slick it on; I don't bother with lipliner.
I was just then going through a healthy reaction from the orthodoxy of my youth; religion had become for me not so much a possession as an obsession, which I was trying to throw off, and this iconoclastic tale of an imaginary tribe was the result.
I spent the night on a sliver of rock high up on the east face of Long's Peak, climbing with Tom Frost, and slept at the icy feet of the Dru, listening to the lightning crack above me and the thunder roll down. I only did it to write about it. I would never go up on the Grotto Wall for fun.
I've always had bigger legs and butt; it's just the way I'm built. Over time, I realized that they were blessings because that foundation - my legs and butt - is what helps me flip 12 feet above an icy halfpipe.
There's been times where I sold the place out, and I walked in and the guy's like, 'Uh, ID?' 'No, you can't ID me, man. I just sold this place out.' People are just doing their jobs, but I think if you're working the door at a venue where there's a headliner, you should at least be like, 'OK, this is the dude.'
