Everyone has an invisible sign hanging from their neck saying, 'Make me feel important.' Never forget this message when working with people.
I have never been a Conservative, or at least not since being a young teenager. My father voted Conservative, and even his doing that was a hangover from the '50s and '60s, which may have been an influence on me.
A significant event for me was learning Hank Williams, reconnecting with his music's simplicity, which inspired me to inhabit the same territory. It's different, because I grew up on Led Zeppelin, The Stooges and punk, so in that sense I'm mutating country and folk more than a few degrees.
More than anyone else, Hank Aaron made me wish I wasn't a manager.
My manager was Buddy Glee, who put me together with Mike Curb, and was basically the idea to bring some soul to the label and bring something different to the label besides the Hank Williams situation.
My father took me to see Hank Williams on December 14th, 1952. I was two years and four months of age. And I remember a little cool eddy of hair hitting my cheek, and I remember the smell of his hair oil, and I remember the mingling tonality of the small talk before the show started. Those are my memories.
To me, Hank Williams is the first rock-and-roll star.
Everything about Hank Williams interests me. His music, his life. His death. His impact.
I can't sleep in an isolated place without pills, earplugs, and both my children in bed with me for fear of scary, feral characters with a hankering for the wilderness.
Some years ago, I fired my agent, Andrew Wylie, alias The Jackal. I want to stress this wasn't an amicable parting of the ways or a hankering on my part for fresh representation. I fired him because his agency wasn't doing enough for me.
In the back of my mind was the constant hankering, almost yearning, to write but something always stopped me in my tracks. Or if I did find my way to put a pen to paper or finger on a keyboard I'd give up after a few minutes. I'd find other things to do: Anything but writing.
My mother had heard the story of Hannah and Samuel, so she prayed that if God would give her a son, she would give that son to God. That was a perfectly appropriate thing for her to do, but as I observe, she did not have to tell me she had made such a promise. In particular, she did not have to tell me when I was six.
Sometimes my colleagues joke and call me Hannah.
'Hannah Montana' gets no disrespect from me because it's certainly done me a lot of favors.
My dad named me after Hannibal Barca, the Carthaginian general who attacked Rome. But nobody knows about him.
With 'Hannibal,' it's like reactive scoring so I don't get ahead. I don't read a script; I don't want to know what's going to happen until its happening in front of me and I'm able to have an instrument in my hands that I'm playing to make some kind of a map, some sort of tonal map, that I can then build on.
I am sure that the sad days and happenings were rare, and that I lived the joyous and careless life of other children; but just because the happy days were so habitual to me they made no impression upon my mind, and I can no longer recall them.
Becoming an astronaut was a little bit of happenstance for me.
The effect hip-hop had on me was enormous. I was exposed to it by happenstance. My father worked at a radio station in New York called WKTU Disco 92. It was the first radio station in New York City to play disco in the late '70s.
As for 'Great Expectations', it is up there for me with the world's greatest novels, not least as it vindicates plot as no other novel I can think of does, since what there is to find out is not coincidence or happenstance but the profoundest moral truth.
