Everything changes with time. I am not so experienced enough to analyze what the people love in me.
I love food, so having a lot of food allergies now and just having a really sensitive body, it forces me to be very mindful and conscious and eat when I'm hungry, not just when I'm bored, and just really slow down. Everything in moderation.
My evidence that I am saved does not lie in the fact that I preach, or that I do this or that. All my hope lies in this: that Jesus Christ came to save sinners. I am a sinner, I trust Him, then He came to save me, and I am saved.
A spine to my films that's become more evident to me is that many are about the choices people make, and the reverberations of those choices. You go this way, or that way, and either way, there's going to be consequences.
I loved being Secretary of State, that's probably evident to everyone who watched me.
The most evocative thing to me is probably when a writer and a group of performers can collectively put together something compelling that asks the really simple question: 'How do we live?'
The pomp, power, and military bombast of 'La Marseillaise' draws me into the history of France and my own. The surname I was born with was French: D'Orsay; perhaps an ancestor was amongst those troops that marched to this evocative anthem for the first time as they entered Paris 200 years ago!
One of the things that struck me when I was a kid and I was learning about Pompeii was these figures that were frozen in the moments of their death. It is very powerful imagery, and it is very emotional and very evocative.
Pictures are as evocative to me as smells.
For me, Heaven is evoking emotions through sound.
You might find me outside with a can of hair spray, spraying it with the hope that the sun will burn a hole in the Earth. Another part of me hopes people will grow up and evolve and get smarter. That's the paradox of Marilyn Manson.
I have evolved my own exercises, for the muscles I wish to keep firm, and I know they are right for me because I can feel them putting the proper muscles into play as I exercise.
No I.D. executive-produced 'Under Pressure' and helped me find the Logic sound that's evolving every day.
I feel grateful for the Puerto Ricans who created this genre that has inspired me to have such a beautiful career. Reggaeton has allowed me to continue evolving and growing musically, and I have been able to make it mine as well.
There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it.
For me, my films are not like my children. They are like my ex-wife. They gave me so much; I gave them so much; I loved them so much; we part ways, and it's OK, we part ways.
If I didn't have competition and I didn't have people trying to take my spot, then it can make someone lazy. So it does the exact opposite. It motivates me.
No man shall be more exacting of me or my conduct than I am of myself.
A lot of the things that happened to me came out of the blue, but I'm exactly the same person now as I was when I was sick. I'm still a very optimistic person.
I've lived my whole life exactly the way I've wanted to. Being gay, being white, being male, it doesn't matter to me. They're all things I'm born with.
