I speak publicly about the things I am speaking privately about, and there is no difference - the things I'm passionate about and dissecting with my friends and family, the things that are valuable to me, are the things that I publicly share and publicly promote.
I would never, ever use a novel to do thinly disguised political information dissemination. For me, all these experiences, they sat in me, and they got broken down into my body, and I sweated it out. It's not because I want to talk about 'issues.' For me, a novel is a way of seeing the world.
The thing that happens remarkably often is that the people who are writing a dissertation believe they need to speak to me in order to do their dissertation. They need to interview me.
This country has so much wealth and so much poverty, and that seemed wrong to me. 'Evicted' was my Ph.D. dissertation.
I didn't pass my degree due to never handing in an acceptable dissertation, and while it didn't harm me in the long run, my failure to complete the course properly probably led me to spend the next six years or so coasting, unsure of what to do next.
I mean, '8½' to me is such a great dissertation on the whole, you know, act of filmmaking and creativity.
There's no reason for me to go into a big dissertation about why I'm not getting the calls. The refs have to do their jobs as well. I even mentioned it in training camp to the refs when we had our little meeting.
There will always be a part of me that wants to do a movie musical. I feel like you're doing yourself a disservice when you say something like that, because you never know if that thing is gonna come along and be right, but I'd be lying if I said that that wasn't true.
I'm excited about there being more of a sisterhood these days. Back in the '90s there was a lot of hate - the women I looked up to as artists were dissing me! It's not so patriarchal these days - there's more love and a lot less hate!
I rather create better music and let that talk, than me going out and dissing other musicians in public.
As I pass it, I feel as if I saw a dear old mother, sweet in her weakness, trembling at the approach of her dissolution, but not appealing to me against the inevitable, rather endeavouring to reassure me by her patience, and pointing to a hopeful future.
When I'd go to Israel, I felt like a tourist. My social and professional ties had started to dissolve, and it confused me. I didn't know whether I should stay here in Paris or go back to Israel, or even cut off all my ties with Israel so I could really plant roots here. Or maybe go somewhere else altogether.
There have been some friendships lost over this. That's the most difficult for me. I find it very uncomfortable to know that I was at one time close friends with someone, and because of jealousies and misunderstandings and so on, these friendships have dissolved.
All theological lore is becoming distasteful to me.
All theological lore is growing distasteful to me. All my recent excursions into such fields proves it to be a shifting, hypothetical, doubt-fostering, dusty, and unprofitable study.
It's interesting to me that apparently distasteful comments from the Right against weak targets tend to draw a lot less media fire than apparently distasteful comments from the Left against hard targets. That's one of the threads that runs through the show and that people hopefully pick up on.
As ugly an admission as this is, I met my wife at a party, and if I had been to the same party and she were dressed in different clothes, I might never have talked to her. She might have projected something that I found distasteful, even if she otherwise looked exactly the same - a beautiful woman to me.
It troubles me that people speak about writing for money as ugly and distasteful.
For me, faith is more about aspiration than complacency - the smug satisfaction that other people find distasteful.
Being an actor, you are recognized for being somebody else, whereas these books are distilled from me.
