I trained with a guy by the name of Scott Casey. He actually worked with WWE back in the day, but he didn't become a big star. What I want to teach is what he taught me: that the smallest things are what people are really looking for.
I think that educators are in sales. Essentially, what you are doing is making an exchange with your class. You're saying, 'Give me your attention. In exchange, I'll give you something else.' The cash register is not ringing. It's not denominated in dollars or cents or euros, but it is a form of sales in a way. It is an exchange.
My parents own a restaurant in downtown Oakland - Garden House - and I started working there at 8. I'd work the cash register while people looked at me skeptically. Free child labor!
Think it is just a matter of... well look how long it took Shawn Colvin to reach the level that she has. Believe me, that girl has done everything except stand behind the cash register at Tower and take the money.
I realized, at a certain point, all my big people were dying. I couldn't see a clearer picture: what's the difference between me and him, of me being in a casket?
I was carrying my friend in his casket to put him in the hearse, and I was thinking, 'I need to write a song for this guy, because he always told me I would have a No. 1 song.'
I grew up watching 'Taker, and he used to scare me as a kid, so I think it would only add to the excitement to be in a casket match with a guy like that. There's definitely some jealousy.
Someone once told me that being in the closet is like living in a vertical casket. Perfect description.
It's really sort of morbid, but she said her mother wanted to see me all her life. And when she died, she made just one request: that a picture of me be put into her casket. So somewhere in England, I'm in a casket.
I have about a dozen cassettes lying about which I use in random order. Very often, I pick up a cassette to dictate a letter, and I find my voice coming back at me with the lines of plays three years old.
In the past 3-4 years I've developed a habit of keeping numerous small cassette recorders in my house and in a bag with me so that I'm able to commit to tape memory song ideas on a constant basis.
One day, my father brings a cassette. He's showing me this, and he's like, 'Look at this guy, his name is Anthony Santos, like you.' I popped it on and started hearing the songs, the music, and I was like, 'Wow, this sounds great.'
You know, we were outdoorsy types, my folks, and one of the first tapes I got, a friend gave me a cassette tape of Ella Fitzgerald singing with the Count Basie orchestra. And it was the first time, really, that someone's voice had really spoken to me, and it was just so pure.
The worst tragedy that could have befallen me was my success. I knew right away that I was through - cast out.
Whatever woman may cast her lot with mine, should any ever do so, it is my intention to do all in my power to make her happy and contented; and there is nothing I can imagine that would make me more unhappy than to fail in the effort.
I'm a big fan of 'Orphan Black,' and to be one of the original cast members is something that will always be dear to me.
My experience and research has led me to the regrettable conclusion that our system of mass incarceration functions more like a caste system than a system of crime prevention or control.
A friend of my mom's was a casting director so, really as kind of a lark, I had a couple of acting jobs that had just enough exposure to give me the option to continue if I wanted to. I followed through with it.
I've always thought that as long as directors and casting directors don't see me as just Harry Potter, I'll be OK. People have shown a lot of faith in me, and I owe them a huge debt. They're letting me prove that I'm serious about this.
I am half Puerto Rican, a quarter German and a quarter black. That was always a big issue for me - being mixed race - because casting directors tended to be very like, 'OK, are you Hispanic for this role?' 'Or is she going to be African American?'
