My obsession with time informs my poetry so completely it is hard for me to summarize it. We want time to pass, for new things to happen to us, we want to hold on to certain moments, we don't want our lives to end.
If I had to summarize, most broadly, my concerns as a writer, I'd say the question 'How then must we live?' is at the heart of it, for me.
Maybe it was the challenge of flight, the opportunity to fly, the competition of summer camp and the inspiration and discipline of West Point. I think all of those things helped me to develop a dedication and inspired me to get ahead.
I had to move out of my home in New York when I was 13. I left all my friends, family, my dogs, and summer camp... all that stuff behind. I moved out to L.A. with my mom and brother. That was difficult for me. I think the hardest part was seeing all my friends graduate without me and go to college.
I'm not a summertime guy. The only time I really enjoy the summer is touring and performing because there is nothing else for me to do at home. It's too hot, and you can't farm. You can't hunt.
I write very, very slowly, and for me, I have to summon all sorts of resources to make one of these pieces work.
It has taken a great deal of energy, which has not been so difficult to summon as the necessary patience to wait, simply wait much of the time - until my instincts assured me that I had assembled my materials in proper order for a final welding into their natural form.
For two days I had the company of a girl. She appeared next to me. It was no less of a miracle if it was my imagination which had summoned her up, because it happened at the very moment I had broken down and given up.
It is very grand and sumptuous and awesome to look at but it was really about the characters for me.
You can never betray the people who are dead, so you go on being a public Jew; the dead can't answer slurs, but I'm here. I would love to think that Jesus wants me for a sunbeam, but he doesn't.
This industry is all about work, and just because Sundance exposed me to the world, it is my job to stay deserving in that world. The work never ends; the hustle just get harder, and you get stronger!
I'm not really a Sundance baby, but they helped me so much I feel I have to acknowledge it.
Bootleggers quake in fear of me ringing them on a Sunday afternoon. I call after dinner, usually.
I want to work every day. I don't work every day. When I finish something, people ask me, 'You gonna chill for a little while?' I'm like, 'No. I chill on Sunday afternoon.' I need to be engaged.
On Sunday morning, I'm not nervous... I can't wait to tell what God wants me to say.
David Suchet's Poirot was very charming, and, when I'm away in the U.S., those series remind me of being in Britain and being British on a Sunday night.
People always ask, 'Man, why don't you come out and enjoy it? Why don't you celebrate? Why don't you have any fun?' My fun is Sundays. Anybody can go to the club. You don't have to be good at going to the club to go to the club. You have to be good to be playing on Sundays, and to me, that's what's cool.
I love the idea of getting up early on Sundays and walking to the market to pick up fresh fruits and vegetables. It's a good way to start my day, and it makes me feel like I've accomplished something before other people are even awake.
I can't feel bad about being who I am, just like the girl next to me can't feel bad about being who she is. Because a rose can never be a sunflower, and a sunflower can never be a rose.
Yellow is my favorite summer color - it makes me feel like a sunflower.
