It doesn't bother me to talk about my private life, it doesn't bother me to talk about anything. My life is like a glass of water, transparent.
Because of who my husband is, and our life, and also he is number one in the polls - well, you take that all together, and people are very curious about me. I'm choosing not to go political in public because that is my husband's job. I'm very political in private life, and between me and my husband, I know everything that is going on.
I don't want to know about the lives of other actors and I don't want people to know too much about me. If we don't know about the private lives of other actors, that leaves us as clean slates when it comes to playing characters. That's the point, they can create these other characters and I can believe them.
Poetry, for me, is the answer to, 'How does one stay sane when private lives are being ransacked by public events?' It's something that hangs over your head all the time.
For me, I'm a super private person.
I was a very private person. I never had an open social media account. So, for me to walk down the street and have people say, 'Hey, Tan!' I turn around thinking, 'Do I know you?'
There are certain things about me that I will never tell to anyone because I am a very private person. But basically, what you see is who I am. I'm independent, I do like to be liked, I do look for the good side of life and people. I'm positive, I'm disciplined, I like my life in order, and I'm neat as a pin.
My adopted parents were able to pay for me to go to a private school. So I had it better than most people.
The thing was, at a young age, my mom and my grandma always tried to keep me out of the streets as much as they could, so they put me in a private school when I was super young.
For me, at least with my parents, I feel that they wanted me to have all the opportunities that they did not have, and for them, that meant going to private school.
I don't want to spend the rest of my life in politics. When I'm finished with my term as governor, I'm going back to the life that's waiting for me in the private sector.
I got into writing music when I was, like, 14 or 15. It was a very private thing for me because I used it as an outlet and emotional release. I kept it very close to myself and didn't tell too many people about it.
It's such a private thing - 'my process' - I can just say that the work that I do is like therapy between me and the character.
I really don't mind what people assume about me. I really think that my brain is my private thing. I don't need the approval of people. I don't need people to think I'm intelligent. And I'm not that intelligent.
It was through the private world of family that the public world of politics came alive for me: living in intimate proximity with people for whom larger questions of ideology and belief, as well as issues relating to politics and governance, were vivid daily realities.
Earlier in my career, I was much more super-sharey. There were moments when I wanted to process things that were happening to me more privately, and I didn't have the space to do it, because once you let people in, they're in, and you don't get to say, 'Oh, I want this for myself.'
As a director you're always so busy - you're go, go, go, you're always moving, moving, moving - so I'm not actually privy to all the weird stuff that's happening around me, but for a lot of the cast and crew, that's what I hear stories from them about weird stuff happening.
I think it's really odd, too, that the public is so privy to how much money the actors make and what movies cost. It seems to me to be beside the point. When I go to a movie I really don't want to think about the money. I want to see the story.
I wasn't privy to all of the intelligence that was coming in about Guatemala, but I did see the traffic that was coming in from Guatemala City, because it was very relevant to me, and of course I exchanged what I had with the chief of station in Guatemala City.
As for me, prizes are nothing. My prize is my work.
