Everyone who knows me knows that I don't have a prejudiced bone in my body.
The first album is the prelude to the full story of Luke James. It establishes me as an artist you can look forward to.
On social media, we have a lot of fans. It's so important to me to spread awareness of premature babies and premature birth.
My father died prematurely at the age of 52 when I was 24, and it is a recurring regret that he never lived to see me succeed beyond university and drama.
There was one theory put forth by a journalist recently. I have a lot of friends that have died prematurely and a lot of friends that have died of natural causes. I've lost a lot of people over the years. This journalist basically recommended to me that God keeps me around because I amuse him.
When I was in my late 30s, I lit a figure on fire on Baker Beach in San Francisco. It was me, a friend, and maybe eight people, tops. There wasn't any premeditation to it at all. It was really just a product of San Franciscan bohemian milieu.
The love the people of Leicester showed towards me was incredible. Even more than winning the Premier League.
Inside me there are two people. One is a very aggressive - I want to win; I won the Premier League, but now I want to win on Saturday. I want to win next season - and is never satisfied.
When the movie comes out, what anybody thinks of it doesn't really matter to me. I don't go to the wrap party. I don't go to the premiere.
My stylist told me Chanel wanted to dress me for the 'Stranger Things' premiere. It was such a big deal for me, knowing that Chanel wanted to work with me and that I was gonna go to one of my first big red carpets wearing Chanel. That was such a huge moment for me.
I was kicked out of my own house and had my own drag mother, you know, a house mother. Things with my family are great now - my mom and dad were at the premiere - but they had kicked me out.
Once, I went to the premiere of a film, and the producer asked me if I liked it. I said it's crap. But I don't say that anymore. Now I say I have to think about it. If you ever hear me say that, you know the answer!
Chelsea were looking at me, and one day I would love to play in The Premiership - for the fans, not the money. They can be losing 4-0 and still be cheering. That, more than anything, would attract me to The Premiership.
The plan was that I was going to retire and take a job with the American Federation, but Nottingham Forest offered me a contract and there was interest from West Ham and another Premiership club.
My whole premise has been, right from the beginning, that it would take me a lifetime to learn to explain myself as an artist. As you grow older, you learn what to do and what to leave out. You kind of simplify your work and get the same thing done with fewer strokes. It's pretty interesting to me.
From the very beginning, I think it's been quite clear that there's no way I could possibly say that trans women are not women. It's the sort of thing to me that's obvious, so I start from that obvious premise.
Madonna is that forbidden thing, the Nietzschean creative woman. Her preoccupation with a high level of work doesn't allow her to follow the usual script that powerful women are expected to follow - 'don't hate me for my success, don't hate me for my power.'
There were a lot of little triggers that made me realize that life is now; life is happening while we're preoccupied with stupidities. Of course, growing. Of course, becoming a mother and understanding life from another perspective.
Every step on my way to becoming an artist seemed preordained. The right people were always in the right places at the right times to boost me to the next level. I was fortunate to be selected for a summer drawing class offered to teens at the Otis Art Institute of Los Angeles County.
I recognize out of the box that I am not the establishment candidate. There's nothing about me that would have anybody draw the conclusion that I am somehow preordained for anything.
