I grew up painting and playing piano so when I was a little kid I thought I was going to be an artist or a painter but my mom had me taking piano lessons for about 10-12 years as a young kid.
When Seymour saw me seated at the piano at that first rehearsal, he shouted: 'What's that kid doing here? Call your piano player and let's get started.'
I started playing the piano when I was 6 years old 'cause my folks tried to get me away from the gramophone. And I just - I lived for music since I could think. And they got me piano lessons. So by the time I was 13, I was quite an accomplished piano player and musician.
Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
Picasso once remarked I do not care who it is that has or does influence me as long as it is not myself.
I'm afraid I'm still trying to find that balance. Especially now that everyone wants a piece of me. I find that I have to become more and more reclusive, and pick and choose when I am public and when I am private.
What's been nice is that I've been able to direct from a very idealistic place. I've never had to make my living as a director, which gave me a chance to choose material I feel passionate about. The directing allows me to not have to grab any acting role that comes along. I can pick and choose a little bit.
I don't know a lot of show runners. I mean I met a lot of them in picket lines. I'm not part of a, like, secret society or pickup basketball game. As far as I'm concerned, pick-up basketball games are secret societies. They confuse me. I've never been a networker or I've never been very social.
I think people instinctively know that their job is to give service and that they are part of a community. It had a great impact on me when my father walked the picket lines and I walked with him during the civil rights movement.
I think once you meet me, you realize I'm not necessarily some soft yoga guy. I've been on the picket line. I've been in the union halls. I'll drink a Miller Lite with you.
All my tattoos, they've been thought out, thought over, been a work in progress for at least a year before I've got them. So I'm not walking into a tattoo shop, picking tattoos off a wall. It's something that means something to me. It's something that I believe in.
I drink almost a bottle of pickle juice every day, man, and it keeps me going great.
As an adolescent, I went to charm school, where I learned to pour tea and relate to boys, which, as I recall, meant giving them the pickle jar to unscrew, whether it was too hard for me or not.
For me, Hyderabad was all about summer holidays, rasam rice, spicy pickles, and more.
You pick your destiny or maybe destiny picks you. But it picked me to box, definitely.
Of course my parents are picky about the girls I date; my parents watch out for me.
Basically, I'm in a kilt and a white shirt every day. So, you know, I don't have a lot of scope, and I'm really picky about what I wear. Even if it's weird, it's very particular to me. And you can't make a business out of what I would wear. We'd be out of business.
I had tried writing novels for many years, and they always escaped me. For a long time, I thought, 'It's just not in me to write a novel. It's not something I'm able to do.' It seemed like everything I wrote naturally ended at the bottom of page three. A picture book, three pages; an essay, three pages.
The novels take longer to write than the picture book texts, and they do take a different sort of concentration. However, a very short, simple story that works well is just as exciting to me as any longer and more complex book.
Force me to choose my best book, and I always come back to 'Gorilla.' It was the first time I felt I understood what picture books could do.
