I started drawing when I was about 2, mostly pictures of my mother and my sister. When I got into school, instead of taking the notes that I should have been taking, I was drawing in all of my notebooks. It was an artwork thing for me at first.
I collect words and phrases and cut things out of newspapers and keep scrapbooks and write down ideas in my phone or 10,000 notebooks all around my house. It's not very organised, but I keep collecting, so I did have a lot of material to help me to write songs.
I always have Moleskine notebooks on my desk. I am a big journaler. Every day I write down where I went, who I spoke to and what it was all about. Richard Branson told me to do that.
Tones sound, and roar and storm about me until I have set them down in notes.
I didn't have nothin' going for me... school, home... until I found something I loved, which was music, and that changed everything.
Don't make an opinion on me if you don't know nothin' about me.
That was it - I lost my job... I was very discouraged. I wanted to be in defense work... I'm an American, and I have nothin' to do with Japan, and so it's sort of an insult to me.
In my case, I can sincerely say that nothing is impossible... When I was saying I want to be No. 1 of the world, and I was seven or eight years old, most of the people were laughing at me because it seems like I have one percent of chances to do that, and I've done it.
The big thing for me is just continuing to be a beacon of hope. And showing people that nothing is impossible.
In football, I'm not so old. At 52, maybe I have 20 years in front of me to coach. But I feel myself as... you might say an 'old fox.' Nothing scares me; nothing worries me too much. It looks like nothing new can happen for me.
When I was 17, I was at La Coupole brasserie, and Jean-Paul Sartre and Simone de Beauvoir asked me to join them at their table. They were fascinated that I'd watched their programme on existentialism back home and wanted to understand nothingness and being.
It's amazing if you just listen to people. They tell you all the time things that you can do for them, without even realizing what they're doing. I've learned to take notice of those things and if it's something that I feel God wants me to do, then I try to do that to add joy to their life.
When I am singing, I believe that if I respect the public, then they will respect me, and I know it. It's noticeable.
Nobody notices me. Nobody thinks I'm me. But then I look less like me than most of the people coming to our concerts.
I can be normal by myself; no one notices me.
I rarely get recognised. It's always a shock when someone notices me. I always think they must be confusing me with someone else.
There's a difference between beauty and charm. A beautiful woman is one I notice. A charming woman is one who notices me.
There are movies where actors aren't characters but movie stars, being cool beyond belief throughout the whole movie. That is what it is. And we reveal ourselves when we act, very often without noticing. But if I can manage to do a character without showing anything of myself, then that's the ultimate goal for me. No leakage.
I'm quite sensitive to people noticing me. There are times when I'm relaxed, then others when it does make me self-conscious.
When I heard about grooming gangs where almost every individual involved is of Pakistani heritage, I can't help noting that. But I can't helping noting the fact that Rochdale is a town that means something to me, and I'm also of Pakistani heritage.
