I feel an intense intimacy with those who have this loathing interest in me. Further than this, I know what they mean, I sympathize with them, I understand them. There should be a name (as poetic as love) for this relationship between loather and loathed; it is of the closest and more full of passion than incest.
I must say that when I left 'Doctor Who,' I was filled with... not loathing, but I was incredibly annoyed because I wanted to do more television and films and the only thing that people could ever see me in was a recreation of what I had done.
When I visited Moscow for the first time in 1998, I wandered into the historic Metropol Hotel as a curious tourist simply to ogle the giant painted glass ceiling that hangs over the grand restaurant off the lobby. It was the memory of that short visit that prompted me, some years later, to set 'A Gentleman in Moscow' in the hotel.
KWMR is my radio station, and I intend to have a job there as I get older. That's what I'm lobbying for. They don't need me. They've got plenty of people. But let's see if I can make myself indispensable.
I got into lobbying kind of against my will at first. I frankly didn't want to be a lobbyist, but I realized that in lobbying I could do things politically that were interesting to me and do some what I thought would be good. I'm not sure it all turned out like that, but at least that was some of the initial thinking.
Red Lobster reminds me of my dad because he would always get coupons and be like, 'We're going to treat ourselves.'
To me, nothing says summer like enjoying a lobster roll at my favorite spots in the Hamptons.
I was looking for some way to put my music to some service on a nightly basis. You go into a town, you play a little music, you leave something behind. That idea connected us to the local community. It was a very simple idea, but it really resonated with me.
Ours was a never a 'religious' religious home because my parents thought of religion as something you do: it's the way you engage in the local community. That has meant a lot to me.
Why did I want to become a director? I just had an early interest. My uncle was an actor in a local community theatre, and he ultimately persuaded me and a buddy of mine to come to that theatre, and we went to meet girls, and that turned into interested in kind of behind-the-scenes things, and from that point on, I was focused.
When I was a teenager, I continued to visit imaginary places by spending all my free time at our local community theater. Whether I acted in a play or worked backstage, the world of Tennessee Williams or Shakespeare always seemed more real to me than the dreary life of high school.
I started in local news in South Carolina, so viewers there supported me. We had a morning show that we put to No. 1, and then I moved to San Antonio, Texas, and we became the No. 1 morning show there, too.
My parents homeschooled my sister and me for many years. Why? Because the local school insisted that I, being three, should go to preschool, and my sister, being five, should go to kindergarten. The problem? You learn your alphabet in preschool, and I was already reading chapter books.
My parents, and especially my mother, encouraged by the director of the local school which I was attending, wanted in spite of everything to send me to a National School of Arts and Crafts so that I could later become an engineer.
I come from a political family. My father was a freedom fighter. He was a prominent leader of the locality and member of the Congress party. He spent 10 years in British prisons. In the evening, in our living room, the only subject we used to discuss was politics. So politics was not unfamiliar to me.
If you want me to sing this Christmas song with the feeling and the meaning, you better see if you can locate that check.
I love actors; I love seeing great performances. I just love that, when I'm seeing a performance, that inside me, I just go, 'Oh my God, how are you doing that? Where is that coming from?' Where you see an actor do something, and I can't even locate it in my own body.
Woody Allen's movies are so much a part of me. I grew up watching them over and over and would read all his comic pieces for the New Yorker. In some ways, his influence is so much there that I can't even locate it any more.
Growing up, I would watch a movie on video and would go to the back of the VHS and locate the address for Universal Pictures or MGM or whatever. I'd write to the studios asking them if I could be in a movie. They never wrote me back.
I grew up poor and white. While my class oppression has been relatively visible to me, my race privilege has not. In my efforts to uncover how race has shaped my life, I have gained deeper insight by placing race in the center of my analysis and asking how each of my other group locations have socialized me to collude with racism.
