Scorsese would talk to me about this movie 'The Heiress' with Olivia de Havilland. We were talking about this scene in it, and suddenly we were rolling. It was very intentional, and I didn't realize - because we talk old movies all the time.
I am human like everyone else. I am aware that there are people who look up to me. When mistakes are made, they aren't intentional, and I constantly push myself to be a better person.
For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life.
I feel like I have a job to do, like I constantly have to reinvent myself. The more I up the ante for myself, the better it is in the long run. I try to interact with my fans as much as possible. It's good that the person I'm being onstage isn't really an act. It's really me.
Technology has allowed me to reach my fans directly. Social media: it has been a complete revolution of how to interact, promote and share things.
I have two younger brothers, and I know my parents have spoken to them about driving and interacting with police. They didn't have those conversations with me, but they did have conversations about being exceptional black people.
Having lots of human interaction online and during shows is very important to me.
Social media allows me to pick my times for social interaction.
Takers are self-serving in their interactions. It's all about what can you do for me.
I haven't isolated myself. I am not living on a yacht somewhere. I am not tucked away or behind a gate somewhere. I am not flying on a private plane. I am going to the airport, I am with people, some of the interactions are good, some of them are not so good, but it keeps me in touch with being, you know, part of society.
The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
It pleases me that people can be interactive.
If a guy isn't in a position to fight for a world title, or if he's not in a place where I can intercept his road to the title, don't offer him to me. I'm not in this to just fight guys for the sake of fighting. I'm not in this to make friends with the people who work in the organization.
I never made beats to make beats; I only made them when there was a record to make them for. That's one of the things that has changed in hip-hop that's made me like it less. It feels much more like it's a producer-driven medium, where there are all these tracks that are completely interchangeable.
When my first play was produced, I had this sudden feeling that I feel powerful. Like, the next time I go into an audition room, and it's me and the same eight girls as always, I will have this thing that no one can take away from me. They can see us all as interchangeable. But I am not interchangeable.
Going to Liberia really changed a lot for me. I didn't realize what was happening on the same planet. My understanding that in the world everything is interconnected really grew - to go to one of the poorest countries from one of the richest countries in the world. It was two worlds apart.
Yoga has brought me closer to myself. It's helped me realize the interconnectedness of the mind, body and spirit, in the Buddhist sense of the word.
I think a lot about our globalized world, our global interconnectedness, and it really saddens me when I see people 'othering,' when I see people who are willing to live narrowly.
The most interesting character to me is someone who is stuck in the no man's land between Belief and Unbelief, Faith and Faithlessness. I'm capitalizing like a German, but it doesn't matter whether it's faith in a person or in God, or belief in science or whatever, it's the desperate in-between state that makes for interesting dramatic tension.
Playing interesting characters makes me feel alive.