I've started confiding in people, other artists mostly, that I hate making 'South Park,' and I always have. It's super stressful. I'm always miserable.
I don't believe in spending money lavishly, now that I'm making money.
'Spinal Tap' influenced me, I think, specifically in making me really pay attention to tone.
I am not making spiteful assertions now but merely stating the facts-that, for instance, among Hungarian generals there is such a considerable percentage of men of German origin, who of course had, in most cases, to alter their names if they wanted to get anywhere.
Everybody loves a hit. There is nothing as fun as making a cultural splash with a movie.
Hip-hop is making a lot of noise. It should get some more spotlight.
If we keep on 'making statements' and not really doing the work, we are going to be in trouble.
I don't think I'm making any great statements, and I certainly don't think I'm making art.
If we continue to cut something with each resolution, I would say we're making steady progress and sending a strong conservative message.
In the 1970s, for all the Stevie Wonders, I'm sure there were five artists that were making forgettable music.
I'm not worried about making a certain type of music or sticking to one type of music.
I loved making 'Rising Sun'. I got into the psychology of why she liked to get strangled and tied up in plastic bags. It has to do with low self-worth.
Leading businesses are making large strides in ensuring a sustainable future, but ultimately, they can only do so much.
I think of myself as making independent films within the studio system. Yes, I've made movies with significantly larger budgets, and I've also made movies with smaller budgets.
When I'm making a big movie, I miss and appreciate all the subtleties that come with making a smaller film that is more intimate, more personal.
A lot of my music is slow and subtle. The subtly is what I enjoy about making music.
I looked at but was not allowed to touch Ai Weiwei's 'Sunflower Seeds' at the Tate. The film of making them was really moving.
Before I became an actor, I was a producer and a visual effects supervisor. Our industry wasn't making the kind of films I was interested in.
We are constantly auditing our supply chain. Making sure that safety standards are - are, you know, are the highest. We're making sure that working conditions are the highest.
We have to take a really close look at making sure that we are more surgical and more tailored in dealing with the production community and our producing partners.
