When you're dealing with a problem as complex as autism, you have to look at it from many different points of view and assemble evidence from many different vantage points. Biological evidence in humans and in animals, toxicologic evidence, how does the body deal with toxins, and evidence looking at the actual experience in populations.
People need to understand that I came this far being chubby and all that. Imagine how far I could go actually being in good shape and looking good.
I was actually looking for answers where I kept asking myself - what am I doing?
Our bodies and minds evolved and were adapted for hundreds of thousands of years for tasks like climbing a tree and picking apples, or hunting rabbits, or looking for mushrooms in the forest. They were not adapted to the very gruelling work that is involved in field work - ploughing, harvesting, bringing water, digging weeds - things like that.
In New York, I get a tremendous amount of ideas by looking at the paintings and the sculptures, adapting artistic endeavors to crafts. There is a lot of inspiration around us that we can see every day and turn into projects.
After I lost my legs, all I wanted to do was snowboard again. I remember spending an entire year on the computer, looking for 'adaptive snowboarders' or 'snowboard legs' or 'adaptive snowboard schools' or just something that I could connect to. I already knew how to snowboard - I just needed to find the right legs.
The Public - a thing I cannot help looking upon as an enemy, and which I cannot address without feelings of hostility.
Maybe I'm like acts of Congress or your favorite Chinese restaurant - you don't really want to know what's going on behind the door. I'm a real study in contrast, I expect, looking from without. But it adds up to what you get on stage.
I saw a psychiatrist when I was younger because I had ADHD, and I had some problems with authority, so I guess I can kind of relate to that in a way. I know what it's liked to be probed and to be asked questions where people are looking for a certain answer and are trying to pull something out of your answer.
When I come to England, I don't claim England; I don't own it. I feel a great kinship because of the literature and the landscape. I have great affection for Edward Thomas and Philip Larkin, but there's still this distance: looking on at what I'm admiring, separate from what I am. And that's OK.
We're often afraid of looking at our shadow because we want to avoid the shame or embarrassment that comes along with admitting mistakes.
I know how to hit a mark without looking. I instinctively know where my eye line should be. That's all 100%. But your character and the story are always different, so the emotional part is not muscle memory. You're still surprised by stuff and get the adrenaline.
Looking at 2014, I look back: we made more money off 'Mailbox Money' than we would have made off taking an advance from anybody. We made more money letting our fans buy the stuff directly from us than what any label could have offered us.
A man's delight in looking forward to and hoping for some particular satisfaction is a part of the pleasure flowing out of it, enjoyed in advance. But this is afterward deducted, for the more we look forward to anything the less we enjoy it when it comes.
The irony is, the advertising industry knows everyone hates what they produce. This is why they keep looking for new ways to force people to stay tuned.
Lot of companies are looking for advisory work on business strategy, restructuring work.
I didn't really know what I was looking at when I first came across Man Ray's 'Dust Breeding,' his photograph of a work by Marcel Duchamp called 'Large Glass.' It looked like an aerial photograph or a view through a microscope.
Here's the point - you're looking at affirmative action, and you're looking at marijuana. You legalize marijuana, no need for quotas, because really, who's gonna wanna work?
I'm looking through old things of mine, and there was this binder from when I was 14 years old. It is essentially a dream board. It is a school binder that I had put magazine clippings on. It said, 'TV actress, fame, a picture of Halle Berry, a picture of Christina Aguilera.' I was obsessed with both of them.
I was genuinely lucky to have the professors I did, many of whom took a very humanist approach in teaching history that went beyond memorizing dates and battles and all of that - basically, looking at the life of individuals throughout history, aided by fascinating primary sources.