If I had terminal cancer, I had a few weeks to live, I was in tremendous amount of pain - if they just effectively wanted to turn off the switch and legalise that by legalising euthanasia, I'd want that.
What decisions would you make differently today if you knew you would most likely live to be 150? How would you think about your 50s or 60s? How would you evaluate your career arcs or investments or even the area in which you live?
I usually live an extremely normal life, since I live in the countryside. Even when people call me 'famous' and such, I can't really fathom it, even now.
My family's dream, and my own, was to live in Israel, and our eventual voyage to the port of Jaffa was like making a dream come true. Had it not been for this dream and this voyage, I would probably have perished in the flames, as did so many of my people, among them most of my own family.
I just want to live happily ever after, every now and then.
We may have forgotten how to feel. Nobody is teaching us how to live happily ever after, as we've heard in fairy tales.
I want to get married and have children and live happily ever after. That's important to me.
My original business plan? To work hard, get 300 clients in the Rochester area, and live happily ever after.
We live in an ever-changing global pop culture community.
We don't want a busybody government - a boss - that butts into our lives every chance it gets to tell us how to work, how to play, where to live and on and on.
If I could live in one city and do every single thing I do there, I would choose Venice. You can't turn your head without seeing something amazing.
Documentaries deal with people who live real, everyday lives. But if these people trusted us and told us the truth about their lives, it could be used against them - which sometimes happened.
The precepts of the law are these: to live honestly, to injure no one, and to give everyone else his due.
I live by 'Everything in moderation.'
Everything in moderation - that's what I live by.
The most evocative thing to me is probably when a writer and a group of performers can collectively put together something compelling that asks the really simple question: 'How do we live?'
I always wanted to be an artist, writer and poet since I was seven, and one has to live long enough to evolve as an artist and do one's finest work.
Supposedly I've got traces of an English accent, though I can't hear it. I must have inherited it from my mother, who's English, and then I think it was exacerbated by the fact that I live with an Australian.
It is so much more difficult to live with one's body than with one's soul. One's body is so much more exacting: what it won't have it won't have, and nothing can make bitter into sweet.
I try, in the present, to not exalt the past because I think that's such a way of diminishing the present. And it's hard to live like that.
