I suppose being quite young and being thrust quite dramatically into a large public arena skewered my vision of what it means to live and be a part of something.
From the moment I started writing raps, I was always aware of the pressure. I always wanted to live up to how huge Snoop got, how huge Dre got, how huge Pac got. I was always aware.
My only fear is that I may live too long. This would be a subject of dread to me.
Raquel Welch is someone I can also live without. We've got some love scenes together and I am dreading them!
Growing up, when I was at live shows, I was always hoping someone would come out on stage and say, 'The guitarist is sick and couldn't make it... does anybody know how to play all the songs?' That was always my little dream. It was a massively inspiring thing to be in a space with live shows.
Mom thinks I live in this dream world where everybody's Ivana Trump.
Live the life you've dreamed.
Dreams are true while they last, and do we not live in dreams?
I'm not as successful as Pixar or Dreamworks, and that is disappointing to me, because I think my films are as valid as a Pixar film. I think there's an audience for my films. I know there's a market for someone like Quentin Tarantino, who basically does adult cartoons in live action.
Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.
We used to play 'Double Dribble' on Nintendo. Later, in high school, it was more 'NBA Live' and 'John Madden Football.'
Pittsburgh, for a while, became a production centre. There was one $400 million year. Hollywood was bringing productions in there. Films like 'The Silence of the Lambs' and 'Innocent Blood.' So my guys, the guys I worked with, were able to have careers and live at home. But then it dried up, and a lot of my friends left.
After living in LA for 8 years, I sort of wanted a change, but there's not much production in New York, which is where I primarily live, so I just sort of drifted over to London.
You can kind of run drills and practice, rehab behind closed doors as much as you can, but there's nothing that simulates being in front of a live audience with live TV cameras.
Worthless people live only to eat and drink; people of worth eat and drink only to live.
No poems can please for long or live that are written by water drinkers.
I live with my family on the top of a hill in the country, and during the days, my house is quiet, save for the occasional excitement of the FedEx truck heading up the driveway. I write.
There are too many kids who are drowning for lack of water safety. That's something I'd like to do. Teaching kids to live an active lifestyle.
When I'm creating a song, I'm thinking of a hip-hop beat playing on a live drum set - kinda like the Roots would do. I will put New Orleans music on top of that with some other rhythms.
I've talked to some drummers who seem to have a very hard time staying in shape on the road, including some drummers touring with high-profile acts that don't have to live on fast food every night.