People actually live with their id exposed. They're not good at concealing what's going on inside.
More and more, the superrich don't live in one place but many, flitting between multiple homes on different continents, flying to them on private jets, perhaps, concealing many of their real estate purchases through webs of shell companies and trusts.
The willingness and ability to live fully in the now eludes many people. While eating your appetizer, don't be concerned with dessert.
A live concert to me is exciting because of all the electricity that is generated in the crowd and on stage. It's my favorite part of the business, live concerts.
I have never used Auto-Tune in a live television performance, and I have never used Auto-Tune in any of my concerts. That is a promise.
If you live only in one culture for the first 20 years of your life, you become conditioned without knowing it.
I've got a condo in Miami, but I don't live in it.
When you live in a condo complex with people next door, I don't know how you can be dead for four months without anybody noticing you not coming and going.
I live with my family. I moved to L.A. eight years ago, and it's the same room. But I'm looking now. I might get a condo.
I live in New York City, but I live in Hoboken because it's cheaper there, and I can own a condo.
Anyone is welcome to hang out with me and have fun or sit down with me and talk. I don't discriminate against anyone. And I don't condone hating someone or treating them badly because they live differently than I do.
You hear the same work by different orchestras, different conductors, violinists, pianists, singers, and slowly, the work reveals itself and begins to live deeper in you.
I live in the South; there are Confederate flags everywhere.
Embrace your colour, heritage, whatever you want, but don't let it confine you. Just live without labels.
It is not the end of the physical body that should worry us. Rather, our concern must be to live while we're alive - to release our inner selves from the spiritual death that comes with living behind a facade designed to conform to external definitions of who and what we are.
I think that certainly the artists of the '40s, '50s and '60s were fighting a very conformist society, which didn't give them enough space to live or create, and they were bucking all kinds of spoken and unspoken rules.
I try to give the media as many confusing images as I can to retain my freedom. What's real is for my children and the people I live with.
I live in Dublin, God knows why. There are greatly more congenial places I could have settled in - Italy, France, Manhattan - but I like the climate here, and Irish light seems to be essential for me and for my writing.
We cannot live only for ourselves. A thousand fibers connect us with our fellow men.
I live in a small town in Connecticut, and they don't write scripts there, but I get them anyway because my agent is in Los Angeles.
