I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
There's something distinct and interesting about a live performance. There's this weird immediacy that's, for me, really invigorating, and it just feels really rewarding.
I was into the Mets because my Dad worked at IBM where he got free Mets tickets, so I was into the Mets... then I got to 'Saturday Night Live' where my boss has unbelievable N.Y. Yankees tickets, so he invites us to the games. I'm going to all the games, so I might as well root for the team I'm gonna go sit with.
Pursuing employment or climatic relief, we live in voluntary exile from our extended families and our longer past, but in an involuntary exile from ourselves and our own past.
I hope to live all my life for my art, without abandoning my principles one iota.
I'm home a lot. Because I live in Ireland, we can live under the celebrity radar. I might go missing for a whole year.
I don't want to live in a militarised country behind an iron curtain. It's boring. Been there and seen the movie. I've done that.
I remember the Soviet Union and when the Iron Curtain fell down in 1991. I was just 20 years old, and everybody had a dream to live in a modern democratic society, in a modern country. More than 15 years passed, and nothing changed. There's a saying I like very much: if you want a thing done well, do it by yourself.
Obviously, Iron Maiden is on a way bigger scale to British Lion, but as a musician playing live, it's just the adrenaline rush of playing in front of an audience that gives you that rush.
What I increasingly felt, in marriage and in motherhood, was that to live as a woman and to live as a feminist were two different and possibly irreconcilable things.
No one can live entirely on their own, nor can any country or society exist in isolation.
Mulberry Street was the beating heart of the Italian-American experience, but you don't find those gangsters now. I live with a bunch of yuppies and models.
I once saw professional soccer up there in Seattle, the Sounders. I went and saw that. I'm not a big soccer fan, but watching a live game is unbelievable. And then I went to Italy and saw a soccer match; it's something everyone should do once. It'll blow your mind.
I don't want to live in an ivory tower, being the songwriter who just turns inward.
Everybody knows what my sexual orientation is. I don't need to scream it out. I won't, only because I live in a country where I could possibly be jailed for saying this.
I can't really live outside Jamaica. I can be away, but only for a while.
While a lot of hip-hop was inspired by jazz or James Brown samples and was made to be played live in the clubs, I made hip-hop that was made for MCs to eat the mic up. It was an aggressive form of hip-hop. It was made just for hip-hop. It's not made to sing or dance to, though you can if you want.
To be honest, I've made a game out of trying to live through my James Dean, Janis Joplin, Freddie Prinze, Jim Morrison period, those demons that we all have that we're either successful or not at making work for us rather than destroy us.
James Franco has turned his life into a real art project. In my opinion, that's the way to live.
When I filmed 'Live And Let Die' with Jane Seymour, I kept my socks on in bed, as it was such a cold set.
