I still feel like an outcast on the inside, but it doesn't bother me anymore at all.
I was like, weird on purpose. I wanted to be an outcast.
I'm a total weirdo and have often felt like an outcast and a freak, and I love that. It makes things so much more exciting.
I came from Yale, where you get an extracurricular degree in self-importance because you went there. When AIDS happened, I was treated like an outcast. And I don't like that feeling.
If I feel like something needs to be updated, I'll break my neck to outdo the original.
I'm a big fan of, like, wearing old, vintage slips and stuff as outdoor wear. I got, like, a pair of these little silk bloomers. I think they were even, like, considered underwear in the '40s. I wore them as shorts the other day.
I love outdoor sports, like volleyball, and I play them whenever I can.
I was afraid that science-fiction buffs and everybody would say things like, 'You know, there's no sound in outer space.'
I feel like every outfit I have ever planned ahead is trash.
I do quite like Gehry's Guggenheim. But where in Bilbao it's seen as an outgrowth of years of investment in urban design and engineering, in Britain it's seen as the catalyst for urban regeneration rather than the icing on the cake.
Working on 'Outlander' has been a delight, it really has. I had kind of forgotten what Scotland was like, and I'd turned into a bit of a Londoner.
Like with 'Outlander' as well as with 'Agent Carter,' I had never heard of 'Outlander' before I got the part.
Most people assume that my style is so outlandish and out there, but the reality is I like very classic pieces just rendered unusually.
They need to enforce how and who to give guns to. But there are Americans like me who are responsible, and they shouldn't take that away. If they outlaw guns, they won't take mine.
For me, when I grew up, I never really had an outlet when it came to my social surroundings. Even if I had a form of popularity, I felt like I was very limited.
I always have a basic plot outline, but I like to leave some things to be decided while I write.
If I try to articulate every little detail in a drawing, it would be like missing the forest for the trees, so it's just about getting the outline of the forest.
I'm one of those writers who tends to be really good at making outlines and sticking to them. I'm very good at doing that, but I don't like it. It sort of takes a lot of the fun out.
I don't like outlining, because books are organic things. Sometimes a book doesn't want to be written in a certain way.
In the pre-production process, I am emailing with the actors or jumping on the phone, and we're sort of figuring out who the characters are and trying to build the relationship dynamic and things like that. Then, also, I am outlining.
