I like a drama.
I like to make all kinds of shows and films, whether it's fantasy or big-popcorn, big-screen escapism or dramas based on real events.
From that time through the time I was a New Dramatist, when I was something like twenty-two, I saw absolutely everything in New York. Absolutely everything.
No one ever taught me, and I never had formal classes in pattern making, so I was like, Okay, I'll just drape, and I'll sew as I pin it.
'Unforgiven' is probably an example of a script that I liked right away but thought, 'This is great, but I'd like to do this when I'm older.' So I stuck it in the drawer for ten years and then took it out.
Art, like morality, consists in drawing the line somewhere.
I object to the hegemony of form in contemporary architecture. We have very advanced technological tools, but ultimately, we create buildings exactly like we used to before: We send the drawings to an engineer and let him struggle with figuring out how to build it.
Whether someone like Klitschko wins, loses, draws, or gets knocked out in five seconds, he is still a big name.
There's people who I admire like... Dr. Dre, Puff Daddy, Master P, people who built their stuff and are still going.
It would feel like a smack in the face to sign with any label outside of Dre's. He took a risk on me, and that means everything.
Advice is like castor oil, easy enough to give but dreadful uneasy to take.
Making the 'An Idiot Abroad' series, I was really dreading going to India; I thought I'd hate it. It was a nightmare, and I was really ill - just like everyone says.
For me, I love to dream big, and I love to find ways to be a bit of an explorer. These days, it seems like everything is padded and comes with warning labels.
From the outside, being an artist seems like a dream life, but there are much darker aspects to it.
I would like to continue acting. But also - if this is a dream world where everything could become true - I'd want to be a ballerina.
A company like DreamWorks, all we do is make product. That's all we do. We don't own distribution. We are purely in the creation of content.
Hey, I'm a girl, and we like to play dress-up.
Acting can be a really silly thing. It's like playing dress-up.
Every day, I put on a suit, and I felt like I was playing dress-up in my mum's closet. It just wasn't right.
Day to day, I like to be comfortable. I definitely wear too many jeans; I have so many at home. But I like the whole dress-up thing, too. It's nice to do a little bit of both.
