We would like to get to a point in our society where people really are colorblind and this message would not have to be told anymore. Unfortunately, we're not there yet.
I like a colorful sock. I'm a sock man.
I like to dress for my body type and for my coloring.
I feel like my music has become a lot of things. It's hard to label the evolution, but I like there to be an evolution. I just like to paint with all different kinds of colors.
I wish myself to be a prop, if anything, for my songs. I want to be the vehicle for my songs. I would like to colour the material with as much visual expression as is necessary for that song.
I was my mom's oldest child, so she was like, watching closely and taking notes, like, 'Okay, this is what she gravitates towards,' and she gave me all the tools to keep me focused. I liked to write; she got me notebooks. I wanted to draw; she got me sketch books and crayons and coloured pencils.
India appeals to everybody. For me personally, I always felt like we would come here when we wanted to embrace all colours. I don't mean racially, but literally; just all the colours of the world.
My skin's not a normal sight. When a photographer says, 'I don't know what it is, but that's just not it...' I know. They like the different colours of my skin. They're not getting them with a particular outfit.
I'm an old Coltrane disciple just like I'm a Christian.
I wanted to make somebody feel like Coltrane made me feel, listening to it.
I try to make my flow sound like a John Coltrane solo.
I think it will bring back discussion about Columbine. When Columbine happened it was the topic of the week, and we shouldn't have just moved on to something else. Whether people like the film or not, it's going to make them think about what happened.
I like to do matrices. One option per line, different facets for each column. Salary, location, happiness index, failure index, and all that.
I'd like to know what I could do if I really had the time to spend on writing a book, with no columns or shows to do at the same time.
Proportions are what makes the old Greek temples classic in their beauty. They are like huge blocks, from which the air has been literally hewn out between the columns.
Experience is like a comb that life gives you when you are bald.
The way I understand it, the Russians are sort of a combination of evil and incompetence... sort of like the Post Office with tanks.
It's always a combination of physics and poetry that I find inspiring. It's hard to wrap your head around things like the Hubble scope.
Like art, revolutions come from combining what exists into what has never existed before.
I was always interested in figuring things out. I'd do experiments, like combining things I found around the house to see what would happen if I put them together.
