My life is every moment of my life. It is not a culmination of the past.
Fear is the culprit that robs us of our greatest lives. And although it's mostly made up or a learned behavior from our past, almost everybody I've ever met in my life struggles with fear.
There is a cult of ignorance in the United States, and there has always been. The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that my ignorance is just as good as your knowledge.
Getting money is not all a man's business: to cultivate kindness is a valuable part of the business of life.
I'm all about cultivating joy in your life.
One can make no better investment than the cultivation of a taste for the beautiful, for it will bring rainbow hues and enduring joys to the whole life. It will not only greatly increase one's capacity for happiness, but also one's efficiency.
Mother goddesses are just as silly a notion as father gods. If a revival of the myths of these cults gives woman emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.
'The Leftovers' takes place three years after 2% of the population has gone missing. And it's about how that changes society. Cults form as a result, and it drastically changes home life for a lot of people, including the Garvey family, which is the family I belong to.
The four of us enjoyed a most wonderful family atmosphere filled with love and reciprocal devotion. Both parents were highly cultured and instilled in us their high appreciation of intellectual pursuit. It was, however, a typical Victorian style of life, all decisions being taken by the head of the family, the husband and father.
Science, it is said, no doubt has ameliorated the material conditions of human life, but is powerless to solve those moral and philosophical questions that interest cultured people so deeply.
Tell a man that he is putting on a stage performance in order to get what he wants, and he will irritably reject your observation. Why? Because most people go through life as cunning actors with a permanent horror of getting found out.
A friend, Sean Cunningham, who went on to do 'Friday the 13th,' was given a small budget to produce a scary movie, and he told me to write something. I'd never seen a horror film in my life; I'd fallen in love with Fellini.
When you have nobody you can make a cup of tea for, when nobody needs you, that's when I think life is over.
Everybody knows my life. I won a lot of tournaments and scored more than 1,000 goals, won three World Cups but I could not play in Olympic Games.
I curate my life in a way. It's always playing on my mind, kind of a love-hate relationship. I'm not one of those people who's, like, 'I wish Facebook wasn't around,' because, you know, it is what it is.
Of course, 'Portlandia' is all about ways that people curate their physical space and their life.
I was at the Smithsonian for twenty years, and I'm still at the Smithsonian as a curator emeritus, and I still plan to figure out what that means for me at this point in my life.
I have spent most of my life working with mental illness. I have been president of the world's largest association of mental-illness workers, and I am all for more funding for mental-health care and research - but not in the vain hope that it will curb violence.
It's not that I am not emotional, but I am extremely secure and curb it, as I am afraid to let go and be broken. So, I have cultivated myself to be detached in life, specially where movies are concerned.
I have always made a distinction between healing and curing. To me, 'healed' represents a condition of one's life; 'cured' relates strictly to one's physical condition. In other words, there may be healed quadriplegics and AIDS patients, and cured cancer patients who are leading unhealthy lives.
