Well I don't know because I don't have a real relationship with the industry.
I'm from New Orleans, and I have a French last name - although I have no real relationship with my last name because it's not my name. I don't know my name.
There's something so great when you're watching a movie when you slowly get to know somebody more, because it's like a real relationship.
But why should I read what somebody else thinks of my life when I know the real story?
'The Hatfields and McCoys' is a classic tale of American history. These are names that are widely recognized, yet few people know the real story that made them famous.
We strive for a culture of constant communication. Team members know in real time if there are performance issues. Team leaders know in real time if a team member is unhappy.
The whole idea of a dream, to me, is a mystery plane. Things are operating there that tell us the real truth. The stuff going on inside us that we don't express or even know about pours out in our dreams.
You start realising as you get older that there are some kids who don't know who you are.
I can guarantee this to you: every single actor has had a dream of walking on stage on press night and realising that they don't know their lines.
I'm a confident person in knowing my abilities, but also know, I'm kind of a realist, I know when I suck.
I would consider doing something along the lines of 'Tough Enough' because that was my first endeavor into reality television, and that is a world I know and love, and that's why I was on that show.
I started realizing that I wasn't so dumb; rather, most people simply didn't know the answers to the questions that I was interested in-or they didn't care.
With any actor, if you know your character well enough, you'll know pretty much what he would say under any circumstance, or whatever situation might rear its head.
Yeah, I wanted to know where they got it from, what it was all about, you know, and it seemed to strike something in me that was you know rearing it's head and I still don't know what that is.
There's something very surreal about driving a truck, looking in the rearview mirror, and seeing 20 cop cars behind you. Even though you know, 'We're just shooting. This is just a scene; we're making a movie here,' it's very unsettling.
I've always had to work to feel reassured, to feel secure, and that's not nice because you don't know where you stand.
I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
I don't know what I would have done to rebel. I don't know what I was rebelling against.
Look folks, we know who built this country and we know who is going to rebuild it. It's you. Instead of vilifying you, we should be thanking you. We owe you.
There is - you know, there's receipts for rented cars and license plates and guns and hand prints and palm prints and fingerprints. You know, I want to wait until I'm in a court.
