To do a musical takes a tremendous amount of energy because you have to act and sing at the same time. And everything has to be precise. Because you can't forget the lyrics because the band keeps playing, you know, and you're under a certain amount of pressure.
What I learned was that celebrities come to me with a preconceived notion. They think I'm fun, or they've worked with me, or they know me, or we've met. So there's a lot of backstuff on the 'Vicki!' show.
I, over the years, have always felt more comfortable if I could go into a projection room and look at a film and not really know what to expect. If you read the script first, you form all kinds of preconceptions about how things look, what the location's like, what the actors are like.
I like predictability because I know what I'm getting into.
I don't know anything about politics. I wouldn't put too much into my prediction on politics.
It is not as though the process of production holds any mystery for me, I know exactly what it involves and I know the predominant concern in shooting one of those things is production values - or as they would say, seeing it all up there on screen.
If you talk about preemption you better know things rather than think things.
I create from a place of passion. It's like a pregnancy, where you create from a place of passion, and then it grows, and then before you know it, you want to push that baby out.
It's like a prehistoric reflex, you know, going out and getting the meat and bringing it back to the cave. You feel you're supposed to make it better, but more than likely she's asking you to tell her how you feel.
Snorkeling the Great Barrier Reef, I saw something - I don't know what it was to this day. My mind couldn't relate to what it was... If I saw it and knew it was a shark, I wouldn't be as afraid, but I saw something that looked prehistoric, and I haven't been snorkeling since.
We know that all interracial groups in South Africa are relationships in which whites are superior, blacks inferior. So as a prelude, whites must be made to realize that they are only human, not superior. Same with blacks. They must be made to realize that they are also human, not inferior.
Let us speak, though we show all our faults and weaknesses, - for it is a sign of strength to be weak, to know it, and out with it - not in a set way and ostentatiously, though, but incidentally and without premeditation.
In the Premier League, the money is a problem, but I don't really know how to control it.
When we filmed the premiere episode of 'United Shades of America,' it was like we were turning over a rock in the woods. The KKK was not part of the national conversation. They were really just a punchline for comedians when you needed to let the audience know something was really, really, really racist.
Once, I went to the premiere of a film, and the producer asked me if I liked it. I said it's crap. But I don't say that anymore. Now I say I have to think about it. If you ever hear me say that, you know the answer!
I don't know how many 19 year-olds are playing in the Championship, there's certainly not any playing in the Premiership. It depends on what type of character you are really.
Think small. Don't pretend you know the answers. Experiment; get feedback. These are all the premises of 'Think Like a Freak,' really.
I want to know if I look up a whole lot of books about some form of cancer that that's not going to get to my insurance company and I'm going to find my insurance premium is going to go up by 5% because they've figured I'm looking at those books.
You'll be fooled if you only get your hip-hop from the mainstream, you know. The things that move people are not just found in the mainstream cultures. And when we talk about hip-hop in general, hip-hop's basically preoccupied with life.
It's challenging to open for someone: You've got to prep the audience, get them in the mood, and get their attention if they don't know you. You're going to show them what songs you've got. You've got to leave your mark.
