I put a lot into it, and when I am done playing, I plan on going undercover and then being the sheriff or chief of police somewhere, either Miami or Orlando, I don't know yet.
You have in Vegas the most heterogeneous audience you're gonna get anywhere in the country. In Boston, Chicago, Miami, you know who goes to the theater. In Vegas, you have people who only see one theater show a year, and it's in Vegas.
My second year of college, I started performing comedy at an open mic. It was good to do open mics with the kids. It's a good, safe spot to start, you know?
I had a growing career as a model and an actress in London - I had starred opposite Michael Caine and Sidney Poitier in 'The Wilby Conspiracy' - but everyone told me to stay in Hollywood. This was the place, they said, and I could have a big career. What they failed to mention was that no one would quite know what to do with me.
Obviously, I am a huge Matt Morrison fan, and I am a big Lea Michele fan because I know those guys from way back.
I didn't even know Michele before we started the show but we became great friends, and still are.
I didn't know anything about Eliza when I first got the call about 'Hamilton.' Tommy Kail, the director, asked me if I wanted to be a part of it. I knew what he was talking about because I'd seen the video of Lin performing it at the White House for Barack and Michelle Obama.
The first thing to know about playing baseball in Michigan is, Michigan's really cold.
I know it was all a bit of a sham. But I know that Mickey Dolenz sang. And Davy Jones sang. And Mike Nesmith sang. And Peter Tork did something.
I have this very abstract idea in my head. I wouldn't even want to call it stand-up, because stand-up conjures in one's mind a comedian with a microphone standing onstage under a spotlight telling jokes to an audience. The direction I'm going in is eventually, you won't know if it's a joke or not.
When I hear other artists talk, they talk about 'How come radio's not playing my song?' Well, you have to look at it under a microscope and know that each station is just trying to do what's right for their market, and it's scary for a radio station to add a song that they don't know how well it's gonna do for them.
I know I'll be under a spotlight, I know I'll be under the microscope.
I don't have a cell phone because I know how horrible it is. Using your cell phone is like putting your head in a microwave every day.
I never quite know how to fill that anxious, semi-wasted time before a midday flight home.
Most middle-aged white men probably don't know about little old Stormzy from London.
The question I ask myself is: have I really just become a squeamish middle-aged man, or has something happened to the horror genre that shows a growing appetite for watching torture, or at least a desire to explore it on film? And if so, why would that be? I can't pretend I know. I just know I don't like it.
For some reason I seem to be a massive hit with middle-aged women. I seriously don't know what it is.
If I pop off and do something drastic, everyone's going to realise because they know I'm 50. Anyway, middle-aged women are sensational.
I prefer advanced midfield, like a No. 10, but you know me: I'll play anywhere for Villa.
I have a problem, if the light goes on on TV and it blinks midnight, I don't know how to fix it.
