I hope to refine music, study it, try to find some area that I can unlock. I don't quite know how to explain it but it's there. These can't be the only notes in the world, there's got to be other notes some place, in some dimension, between the cracks on the piano keys.
My generation, we came along, we had to really know our craft.
I read a handful of memoirs to get a sense of what the genre meant. I needed to learn the fundamentals of the craft. I had never written a word of narrative. What is a tense shift, what is point of view? I didn't know any of it.
Because policymakers often rely on think tanks' research when crafting laws and regulations, it's critical to know whether these organizations are truly independent.
Professional farmworkers who know how to do a number of different jobs, whether it be pruning or picking or crafting, they see themselves as professionals, and they take a lot of pride in that work. They don't see themselves as doing work that is demeaning.
We do a lot of crafting at our house. I don't even know how it got started because if you ask me, 'Are you crafty?' I would say, 'No...' but it's something that we just do.
I think I'd have to say my favorite IWC. They have been around for so long and the craftsmanship is top notch. A watch maker that has been in business over 100 years has to know what they are doing.
Stanley Kubrick, I had been told, hates interviews. It's hard to know what to expect of the man if you've only seen his films. One senses in those films painstaking craftsmanship, a furious intellect at work, a single-minded devotion.
Well... you know, I love motorcycles. They're just beautiful, and there's a certain craftsmanship in older bikes, older Triumphs or BSAs or Norton. I'm just very attracted to it.
Nintendo is a company of Kyoto craftsmen, and what we don't want to do is, if we know we can make something better, we don't want to leave that behind.
I just did this movie with Kristin Wiig called 'The Skeleton Twins.' That's a straight drama. We play estranged twins, and I end up moving in with her and her husband, played by Luke Wilson. But it's a drama, and the Duplass Brothers produced it and this great guy, Craig Johnson, directed it. And that was great, you know?
I used to cold call labels and pretend I was one of their artist's attorneys. I'd say, 'This is Jay-Z's attorney, we need to speak with Craig Kallman,' you know, owner of Atlantic, and they'd say, 'Right away,' and then I'd be like, 'Please just listen to my demo tape!'
All that we know is nothing, we are merely crammed wastepaper baskets, unless we are in touch with that which laughs at all our knowing.
I'm not afraid of just cranking it out and seeing what comes out of my subconscious. Because I don't always know what I'm feeling. I do a lot of rewriting later. But that first blast feels like a spigot - like it's coming from somewhere else.
I don't even know how to behave without my sleep. I would be a horrible person to be around - cranky.
You know, I had a couple hundred jumps in my career, and I made most of them, but the ones they show over and over are the ones when I crashed.
I've never crashed a wedding. When I was a kid I, of course, used to crash parties. Crashing a wedding is difficult though because you have to have the suit, and you have to have information in case someone catches you. You have to know at least some names and something.
I know my football. And I adore football players. The crashing noise of a tackle, the huddle grunting, and the roar of the crowd are music to my ears.
I don't really look at myself as the kind of person who craves attention, but I've never been to therapy so there's probably a lot of stuff about myself that I don't know.
Every human being I know craves love and affection.
