Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
These days, my main guitar amps have been Magnatone. They're beautiful. Magnatones have actual tremolo, which I recently learned about guitar amps. Often what guitar amps call vibrato is really just a volume Up and Down. But Magnatone has a true vibrato, which is pitch bending. And so, it's just a lush sound.
A guitar is so tactile, and when you're playing bends - and bending notes is a big part of my style - there are so many notes within the note you're bending from and the note you're bending up to.
For me, theory has always opened things up to where I can walk into a room and just by hearing something I know exactly where to go on the guitar. I have a better time playing because I have a variety of colors to bring to the table.
I don't think I picked up the guitar in the first place as a way of getting women. There are probably better ways of doing it.
When you play guitar and strum, you're using biceps and triceps to move up and down. I realized you could just turn your wrist, your forearm, using smaller muscles in your arm that are much more efficient and much quicker.
The Big Band Era is my era. People say, 'Where did you get your style from?' I did the Big Band Era on guitar. That's the best way I could explain it.
When do you suppose the electric guitar was invented? If you thought the 1950s, you'd be wrong. If you can muster a recollection of hearing electric guitar in Lionel Hampton's big band in the 1940s and date it to that decade, you'd still be off - by more than 30 years.
Elvis Presley was the big bang. He was the most influential single figure in the history of American pop culture. He changed the way we looked, thought, dressed, held a guitar. He didn't invent rock & roll, but he defined it in a way that everyone who followed him owes him a debt.
So, my big brother was playing guitar and I figured I'd try it too.
T-Bone Walker was a big influence on just about every guitar player around.
I've made my own music, and the way I've always described it is Peggy Lee with an electric guitar, or Billie Holiday with some PJ Harvey in there.
My ambition, a long time ago, was to be a film music writer. A compromise then was to be the guy who wrote songs for a band and played slide guitar. Then the singer didn't turn up for an audition, and I was the only one who knew the words. That was it - bingo! Life took a different course.
The guitar is such an incredible instrument; it plays classical, flamenco, jazz, country, bluegrass, rock, acid, blues. You'll never see a clarinet playing Black Sabbath. But you will see a guitar in a clarinet band playing rhythm. It is the most popular instrument in the world; it is the one everybody loves.
There are a lot of cases where I'm using, if not an acoustic guitar, an electric guitar more as a rhythm instrument. Rather than blasting away, I use it to create more of an acoustic feel.
Ampeg made incredible guitar heads in the early Nineties and then stopped. And I don't know why. The one we used had a nice clean, warm sound, and it blended well with the other amps that were in the studio.
When I was 11, I decided to start rapping, playing guitar, and writing songs. Everything really blossomed from there.
Every demo I do has a mandolin or resonator on it - some element of the bluegrass or classic country world that I grew up listening to and that first drew me in. And then I always try to find somewhere for a bluesy guitar sound, because that's also what I love. Musically, I'm always finding my way home.
Every demo I do has a mandolin or resonator on it - some element of the bluegrass or classic country world that I grew up listening to and that first drew me in. And then I always try to find somewhere for a bluesy guitar sound, because that's also what I love.
When the Beatles wrote 'Paperback Writer,' it couldn't have been the same old thing. You can hear so many influences in it, from the blues to Bach, and it's not just verse, chorus, verse, chorus, bridge chorus. They start off singing a cappella, almost like a Bach chorale, and the song goes into this bluesy guitar riff.
