Sunsets are great. Sunrises are a mixed bag. You either got up way too early or went to bed way too late.
Obviously, you get to do a lot of great things and cool opportunities at the Super Bowl. But at the end of the day, we all want to be here as a player. That's the goal, and that's why I work so dang hard.
When Jim Irsay called me five years ago, he told me, 'I want you to be our coach and help us win the Super Bowl.' He told me, 'We are going win it the right way. We are going to win it with great guys; win it with class and dignity. We are going to win it in a way that will make Indianapolis proud.'
I had great football players. To be quite truthful, my great football players, the ones who wanted the ball at the end of the games, they weren't focused on money. They want to do something great. They want to go to Pro Bowls. They want to win Super Bowls. Those are the people that succeed in sports - or in business.
When people talk about the great quarterbacks, it's almost exclusively the guys who have won Super Bowls. There have been some very good ones who hardly get mentioned because they never won the big one. I don't know if that's fair, but that's the way it is.
You don't sit up in a cave and write the Great American Novel and know it is utterly superb, and then throw it page by page into the fire. You just don't do that. You send it out. You have to send it out.
The problem for me is that 'Watchmen,' one of the great comics of all time, is a look at superheroes that has gone beyond the concept of or necessity for superheroes.
Is there something psychologically wrong with David Gregory? No, besides the usual superhuman vanity of a television professional. He is just not a great host of a news talk show!
The superiority of one man's opinion over another's is never so great as when the opinion is about a woman.
Vampirism, for me, was a way to live in fantasy and have superpowers, but not just in a really perfect, happy, everything is great way. It's superpowers with a cost. It's having to be the villain, and what do you do about that.
We have got to be more comfortable experimenting with different models. So maybe a client just needs execution people or a lot of young people who are great with social media. We don't always have to give them the pyramidal structure of senior VP and account supervisor.
'Mayabazar' was the film I immensely loved as a kid. Only when I became a filmmaker about 20 years later did I realise its technical marvel and what a great epic it was. I and my visual effects supervisor, while making 'Yamadonga,' took two days to understand the magnification shot of Ghatothkatcha's persona.
My mother was the most creative, fantastic person and would come up with great things for us to do. She'd buy art supplies and all of us would sit around painting. I was lucky.
Dad was the pitching coach, while Mom was the emotional supporter. Her unconditional love was great, and she wanted what was best for me. It was more about what she did than what she said, and she made sure I was the best I could be.
Dad was the pitching coach, while Mom was the emotional supporter. Her unconditional love was great, and she wanted what was best for me.
I'm a great company actor, a great supporting actor. I serve the piece.
How does a pansy, for example, select the ingredients from soil to get the right colors for the flower? Now there's a great miracle. I think there's a supreme power behind all of this. I see it in nature.
Whenever there are great virtues, it's a sure sign something's wrong.
To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
Out of your surplus, you can help your allies, and Israel is a great ally. And this is no particular animus of Israel, but what I will say, and I will say over and over again, we cannot give away money we don't have.
