I don't want to be in Terminator. I don't want to go to Hollywood.
They look outside the windows of their apartment in town and realize they're not living in a terrace anymore. This is a room full of dreamers who like to go to London for a day.
I'm healthy enough to still skate, so I gotta go because growing up I didn't have - I mean, I grew up in Montana so... there was kind of a little half-pipe in my yard, and that was the extent of the skate terrain in Montana. So I've got to go out and make up for lost time.
People don't listen to terrestrial radio. They don't find their music that way. They don't get their news that way. They go to blogs. They go through Sirius/XM. They go through all these different places.
Fear is like a black cavern that is terrifying. Once you enter the cavern and explore it, you realize that you can get out of it, go through it and get out of it.
The great art of the past became great because it started to go out of the perimeters that defined art and defined new territories.
A lot of Texans go up to New York and stay there forever. If there are any two places with more individual characters, I don't know them.
By that time - the early '70s - Vimal was a fairly successful textile brand. So everybody expected me to do textile engineering. I shocked them by saying that I would go to IIT.
We go into restaurants, and people aren't talking anymore. They're texting. While they are sitting at a restaurant with each other. So we're losing this intimacy that we need to have as human beings.
Portia and I constantly say to each other, 'We are so lucky.' Sometimes it's lying in bed at night before I go to sleep, and I just say thank you to whatever, whoever is out there.
I think the challenge is going out in front of a paying audience with absolutely nothing and trying to entertain them for two hours. Thankfully, I only think about that right before we go on, and then once we're out there, everything's fine.
I'm no actor. And I wasn't like George Lucas or Spielberg, making home movies as a teenager, either. But I would go back and watch certain movies again and again. By the time I saw 'The Graduate' I was aware of how these amazing stories could be told.
I can't go to sleep at night if I didn't accomplish at least something. That's the one thing that keeps me up.
The thematic core of 'X-Men' is tolerance. It's that for those of us who are different in any way - in a big way, whether it's you're a minority, you're a woman, you're a Muslim, you are suppressed or marginalized - it can go the whole spectrum - but even if you are shy or you feel like an outsider - and X-Men are outsiders.
If you go to a theme park, there will be so many rides. You will get an exciting experience in each of them. Like that, every film is an experience that entertains you. Some films will touch your heart. Some will touch you emotionally. There is nothing more than that.
We're so surrounded by so much of this marketing and just being told on a regular basis that you have to like this, you will go here, you want this. I found that to me that fit perfectly into what a theme park of dinosaur would be about.
I'm a conspiracy theorist. I can't help but look at the lunar landing and go, 'We didn't go to the moon.' We never went there. My dad worked for NASA on the Apollo missions, and I've always felt it's been fake since I was a kid.
I didn't never have to go to a therapist. I just always put it in a song and you heard me.
I usually hang around the room listening to a bit of last night's show. If there's one available, I go to the steam room every day for my voice. I spend half an hour there and then I eat, because I can't eat later than four o'clock. Then I go for a soundcheck. That's my day.
I'm strong enough and have a pretty thick skin, but when people go after my kids, I just hit block-delete, block-delete. It's my mantra.
