I spent a lot of my adult life overcoming fear. It was a subject I knew a lot about, and it's one of the most important and most powerful human emotions. Fear is one of the greatest driving forces in the world. So I thought I could go into the horror genre and do things differently and contribute a different point of view.
The point of human evolution is adapting to circumstance. Not letting go of the old, but adapting it, is necessary.
The best way to renew thought is to go outside the human imagination.
The human psyche creates structure. We all go through our lives like, 'Oh! And then I moved here.' We're pattern-seeking, structure-producing machines.
Just as the body goes into shock after a physical trauma, so does the human psyche go into shock after the impact of a major loss.
If you want the human psyche, how we deal with humans in these situations, WWII is a very tangled place to go.
I think the human race doesn't have a future if it doesn't go into space.
Human resources are like natural resources; they're often buried deep. You have to go looking for them; they're not just lying around on the surface.
The home ministry's role should be focused. There are so many items under it today; it has to look after even official languages. There should be a minister looking after internal security, and the remaining things should go under another ministry. Things like official languages can be looked after by the human resources development ministry.
There must be an opportunity that matches with our strategy. Just because we have a gap, we don't want to go and acquire anything and everything. What we acquire should fit in with our strategy, human resources and market expectations.
The human species was not born into a market economy. Bees won't sell you honey if you offer them an electronic funds transfer. The human species imagined money into existence, and it exists - for us, not mice or wasps - because we go on believing in it.
But that guitar is the perfect companion to the human voice. You rest it against your gut, against your heart, and when you strum it the vibrations go outwards for all to hear, but the vibration also hits you on your body.
For me, the French new wave is Truffaut and Rohmer. Godard I sometimes have trouble with because he's very much of a director's director. I feel Truffaut is such a humanist, and I always go in that direction.
Prison has humbled me in a lot of ways, because when you go to prison, I became 11 R 2024 you know, I wasn't Ja Rule the superstar. I wasn't any of that. I was just a regular inmate.
I like Miami in the winter: there's no humidity, no bugs, no mosquitoes. You go out and wear your jacket, and you're all good!
I had an upright - it took me years and years to get enough bread to get it. I'm from Florida, so one morning I woke up, go in the corner, and the bass is in a hundred pieces 'cause the humidity is so bad. I mean, the upright just blew up. I said, 'Forget it, man. I can't afford this anymore.'
Don't ever humiliate a man. If you're gonna have to dress him out, you take him aside and do it that way. That's the one thing I don't like about Hollywood: They go in for public humiliation. You shouldn't do that to a man.
There's something about being any kind of entertainer that is acting. You have to put on a show. Things you wouldn't do in your life, you do on stage. You have to let go. And that's extra hard for rappers. We have a tendency to, quote unquote, keep it real. As an actor, you have to be able to humiliate yourself. Do whatever it takes.
With any recovery from morbidity there must go a certain healthy humiliation.
When I come up with a melody in my head, it could be anywhere: in the shower, on the plane, in bed - often when I'm on the go. I'll record it on my phone with my own voice, humming. When I get to the studio, I check which melodies work.
