In the 1950s in Columbia, South Carolina, it was considered OK for kids to play with weird things. We could go to the hardware store and buy 100 feet of dynamite fuse.
For the life of me, I can't understand why BP couldn't go in at the ocean floor, maybe 10 feet lateral to the - around the periphery, drill a few holes, and put a little ammonium nitrate, some dynamite, in those holes and detonate that dynamite and seal that - seal that leak. And seal it permanently.
I've got one grandson gone to MIT. Another grandson had been in the American school here. Because he was dyslexic, and we then didn't have the teachers to teach him how to overcome or cope with his dyslexia, so he was given exemption to go to the American school. He speaks like an American. He's going to Wharton.
Now, where does my comedy come from, like, as a human being? Yeah, when I was a kid I was dyslexic and had to go to special-ed every day and felt stupid about that and got very witty to defend myself.
If I had not been dyslexic, I wouldn't have needed sports. I would have been like every other kid. Instead, I found my one thing, and I was never going to let go of it. That little dyslexic kid is always in the back of your head.
Our problem right now is that we're so specialized that if the lights go out, there are a huge number of people who are not going to know what to do. But within every dystopia there's a little utopia.
YouTube is the place where people go to consume advertisements willingly. It's some capitalist dystopian nightmare.
Each night before I go to bed, I take out a small card and write a list of the things I need to do the next day in order of their priority.
Women will use a glycolic acid cleanser, then an AHA/BHA serum, then a retinol night cream and sure, they have glowing skin, but that's the equivalent of a mini-peel each night. Go easy on your skin! Get good advice! We have finite layers!
I come from theatre, and I feel like I have to go back to it every few years because it's like nourishment for the soul. And, as an actor, it's the place you have most control: no one cuts or edits you, and you get to tell the story each night.
I like to pick out a certain part of each show I'm in and I watch it when I'm not onstage or in my dressing room. I'll go down to the stage and watch that part of the show each night.
If humanity does not opt for integrity we are through completely. It is absolutely touch and go. Each one of us could make the difference.
I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
One of my first favorite books was 'The 12 Days of Christmas,' and I would just go up to people and say, 'I can sing 'The 12 Days of Christmas,' and I would make them sit through me reciting it, and I'd go all the way, each time. I've always hooked into lyrics.
'Eagle vs Shark' was about keeping myself sane. I wanted to go back to my comedy roots with people I trusted and had worked with before and do something low-budget and more experimental.
I always approach every play based on the cast. When Denzel and I did 'Fences,' I didn't go to rehearsals and say, 'OK, James Earl Jones did a wonderful job in '87. Let me see if you can come close to James Earl Jones.'
When I was covering games, and this is back in the '60s, you'd go into the manager's office. I can still visualize Earl Weaver from the Baltimore Orioles. I can just see Earl now in his underwear... with a beer in one hand and a cigarette in the other, holding court. And that was the way it was done then.
I watched the Indy 500, and I was thinking that if they left earlier they wouldn't have to go so fast.
I'll promise to go easier on drinking and to get to bed earlier, but not for you, fifty thousand dollars, or two-hundred and fifty thousand dollars will I give up women. They're too much fun.
Many actresses do that kind of shoot when they are in their early 20s but I didn't think I had anything to worry about so I decided to go for it. I was very pleased with the results and it was also nice to surprise a few people.
