I like my messiness on stage, though I watch comics who come at a joke from every angle and I think, 'Yeah! That's how it's done!' But for me it's the audience. If I feel connected to them, I have so much fun, and if not, it stinks.
A character like mine, there is only so much you can do from a storyline perspective. You can be that heel authority figure, which I was for a few years in WWE and WCW, and it's interesting, and it's fun, but after a while, you've kind of done everything you can do creatively.
I did recording sessions as a musician as well as a background vocalist and enjoyed every minute of it. I remember singing harmony with Waylon Jennings on a few songs that were hits. Chet Atkins always put me up so high that I strained to hit every note. It was a lot of fun.
You know, I used to be made fun of as a kid for being really articulate; it was sort of like a strange thing.
I was very proud to be at 'The Wall Street Journal'. I have nothing bad to say about it. I had a great run there. In what turned out to be the final years of my tenure there, 'AllThingsD' occupied me more and more and was much more fun.
I love corduroy jeans as well as vertical-striped jeans. Both are a fun switch from plain old denim. They can be slimming so long as the stripes aren't too chunky.
It doesn't come easily to me, comedy. It's definitely not my strong suit. I'm probably more suited for drama and dramatic roles, but I certainly would love to be in quirky and fun movies.
What attracts me to Bourne's world is that is a real world, and I think I'm most comfortable there. But I come to a Bourne movie to have fun as a filmmaker, to strut my stuff, and that's part of the fun of franchise filmmaking.
I ended up getting to do a lot of student films - no budget: somebody just wrangled up a camera and went to shoot stuff - and it was fun. It was great.
When I first started writing, I was in advertising at the time, I was doing most of my writing on weekends. I had studied most of the other series heroes and I figured it would be fun for mine to be different and put him in and around water. So I dreamed up Dirk Pitt.
Studio films are really fun. You have months and months to shoot. With the smaller films you get to be on a much more intimate set and have to get things done quickly.
A lot of big studio films, which are fun and great, tend to have a formula, and you've seen it before, and it's a new version of it.
I haven't done a lot of studio movies, but studio movies and independent films are always just as fun as each other.
A zombie film is not fun without a bunch of stupid people running around and observing how they fail to handle the situation.
I try to devote my afternoons to making music in my home studio, but it's a lot more fun hanging out with musicians and friends, and trying subtly to influence a band than making your own stuff.
Futurism eventually got marred by its link to Fascism, but early on, it was totally avant-garde, and I wanted to dream a phantom link from the early futurists to the politically radical Italy of the 1970s, a time of fun, play, subversion - if also violence and mayhem.
I haven't yet written a book in a far-future utopia, where all bad things are eliminated, but it would be fun to do that one day and introduce some subversion.
I'm drawn to subversive material and material that speaks to communities and people who tend to be marginalized, and telling those stories in ways that subvert expectations. That's always been fun for me to play and always been fun for me to write.
It's better to make fun of yourself because you've always got someone around to make fun of, and they can't sue you.
There were points I wanted to stop acting. We got so busy and didn't get to see our friends a lot, and I was like, 'Wow, I'm kind of over this.' But then we started really having fun on 'The Suite Life.'
