As feminism becomes more integrated into mainstream publications and conversation, I feel weary of an obsession of celebrity culture masquerading as activism or as conversation or action. It's clickbait.
Steven Spielberg is unique. I feel that the kinds of movies he loves are the same kinds of movies that the big mass audience loves. He's very fortunate because he can do the things he naturally likes the best, and he's been very successful.
I like a semi-stressful massage - one where I can really feel something being worked out.
I'm never massively concerned about what somebody is wearing, as long as it makes them feel really good about themselves.
People need to feel like their heroes are human, not on the mat but in the world. The more people can see that, the more they can understand that they're capable of doing great things as well.
I draw from my family and my friends and I feel like that small-town person. The achievements, the materialistic possessions have really become to mean less. They mean nothing.
She said the object and color in the materials around us actually have a physical effect on us, on how we feel.
It's not fair that kids feel like they have to be naturally gifted at math and science, but with , it's often pushed to the side. It doesn't make any sense to me why it shouldn't be a big part of kids' lives.
Mathematical science shows what is. It is the language of unseen relations between things. But to use and apply that language, we must be able fully to appreciate, to feel, to seize the unseen, the unconscious.
Nature doesn't feel compelled to stick to a mathematically precise algorithm; in fact, nature probably can't stick to an algorithm.
You don't have to be a mathematician to have a feel for numbers.
I had a patient once who dreamed she kept her husband in the deep freeze except for mating. Lots of men feel that way.
And I don't have to listen to a sermon to know what to think or feel about them. It's almost as if I absorbed completely what mattered most to me, and the rest could go.
I don't want to feel like I've matured. That's a stupid word that I never want to use.
I feel like I've matured in that area too, taking what the defense gives you, not trying to make too much. If it's two, just stick your head in there, and drive to get the two.
I used to write when I was in the mood or felt inspired. Anymore, I write whether I feel inspired or not. It's a discipline. So that's definitely different. It's part of maturing as a person and as a professional.
I get very tired of books that feel emotionally empty. I would much rather have writers err on the side of being overly sentimental than not. I think that the perfect balance is a story that moves you without being maudlin, but I don't enjoy books that are empty of emotion and there's no connection to the characters.
I like Air Max 90s; those are usually my go-to. I feel you can wear them with jeans, you can wear them with sweats, you can wear them with anything.
I have been wearing Air Max for so long, since I was seven playing around in the estate; I feel like I know my Air Max well.
Writing 'Book 1: The Maze of Bones' didn't feel much different than writing one of my other novels, but I thought it was very innovative to offer the website and trading card components as well for those readers who wanted to go more in depth with the Cahill experience.
