Fighter pilots have ice in their veins. They don't have emotions. They think, anticipate. They know that fear and other concerns cloud your mind from what's going on and what you should be involved in.
Fear is pain arising from the anticipation of evil.
What is a fear of living? It's being preeminently afraid of dying. It is not doing what you came here to do, out of timidity and spinelessness. The antidote is to take full responsibility for yourself - for the time you take up and the space you occupy. If you don't know what you're here to do, then just do some good.
The thing about youthful offenders is that no one seems to care about them. Most people don't like adolescents - even the good ones can be snarky and unpleasant. Combine the antipathy we feel toward the average teenager with the fear inspired by youth violence, and you have a population that no one wants to deal with.
'Frankenstein' did not invent the fear of science; the novel found its audience because it dramatized anxieties that already existed. Although popular entertainment can, over the long run, shape public perceptions, it becomes popular in the first place only if it addresses preexisting hopes, fears, and fascinations.
The components of anxiety, stress, fear, and anger do not exist independently of you in the world. They simply do not exist in the physical world, even though we talk about them as if they do.
We do not know what love is. We know the symptoms of it, the pleasure, the pain, the fear, the anxiety and so on. We try to solve the symptoms, which becomes a wandering in darkness. We spend our days and nights in this, and it is soon over in death.
Our Western society is showing its technological muscles in ever more threatening ways, but the experience of fear, anxiety and even despair has increased in equal proportion. Indeed, the paradox is that the powerful giants feel as powerless as a new-born babe.
Dread, which is closely related to fear, steals the ability to enjoy ordinary life and makes people anxious about the future. It keeps them from looking forward to the next day, the next month, or the next decade.
We should not fret for what is past, nor should we be anxious about the future; men of discernment deal only with the present moment.
There is a time to take counsel of your fears, and there is a time to never listen to any fear.
I was kind of surprised to learn how controlling I am. I never thought of myself in that way. I think the root of the control issues is usually fear, because you want to know what's going to be happening at any given moment.
The brutality of apartheid drains you of that emotion of fear if you have gone through everything you can be put through in the process of harassment.
Willpower is the key to success. Successful people strive no matter what they feel by applying their will to overcome apathy, doubt or fear.
Censorship is the tool of those who have the need to hide actualities from themselves and from others. Their fear is only their inability to face what is real, and I can't vent any anger against them; I only feel this appalling sadness. Somewhere in their upbringing, they were shielded against the total facts of our existence.
I do not trust those who make the vaccines, or the apparatus behind it all to push it on us through fear.
The appeal of cinema lies in the fear of death.
I came across few whites as a boy at Qunu. The local magistrate, of course, was white, as was the nearest shopkeeper. Occasionally, white travelers or policemen passed through our area. These whites appeared as grand as gods to me, and I was aware that they were to be treated with a mixture of fear and respect.
People are prone to taking mental shortcuts. They may know that they shouldn't give out certain information, but the fear of not being nice, the fear of appearing ignorant, the fear of a perceived authority figure - all these are triggers, which can be used by a social engineer to convince a person to override established security procedures.
The fate of animals is of greater importance to me than the fear of appearing ridiculous; it is indissolubly connected with the fate of men.