We are volcanoes. When we women offer our experience as our truth, as human truth, all the maps change. There are new mountains.
It was always a plan that we were going to have a retail side with what were doing musically, like an Apple store or Nike Town. I wanted something where you can come get everything - 'Marathon' or 'All Money' or 'Crenshaw' - and make it like an experience. Especially with what Crenshaw and Slauson meant to my story.
From the store windows, the store touch-points, the website, social media, or a magazine, it has to be one pure customer experience, not just to gain market share but to gain mind share.
I would wish for any one of my colleagues to have the experience of working with Martin Scorsese once in their lifetime.
Films are a very personal experience - just like a martini - so I try to think about what I like, what projects I like to be in, and make sure I feel proud about it because, at the end, I'm the only one that's going to look back and feel proud or not about what I was doing.
As it stands, motherhood is a sort of wilderness through which each woman hacks her way, part martyr, part pioneer; a turn of events from which some women derive feelings of heroism, while others experience a sense of exile from the world they knew.
Experience is that marvelous thing that enables you to recognize a mistake when you make it again.
The accumulated experience of mankind in the struggle against exploitation, synthesized in Marxism, enabled the Mozambican revolutionary movement to benefit from and absorb that experience.
My very first movie, 'Mary Poppins,' which I talk about, it just turned me into an obsessive, creative creature who had to sort of reply to the experience by drawing things, making things. It was like it forced - it made me into this obsessive, creative creature... I don't know any other way of putting it.
I think the joy of any soap opera is it is always there. You are allowed into this world for a little while and it's safe in that you are watching other people go through some troubles rather than yourself. It's there every night, and there is something special about that sort of terrestrial television experience for a mass audience.
I still run into people who loved Wave - who thought it was the best ever and can't believe that Google canceled it. And whenever that happens, it's like I'm looking at a mirror-image of myself: someone who is similar to myself in skill, experience, and profession. And that's just not a mass market.
The art of it is, the more we can bring complex game mechanics to a mass market, the more engaging the games will be. But at the same time, we have to simplify everything: the mass market has a lower attention span; they're not seeking that experience from the outset.
That's the magic of art and the magic of theatre: it has the power to transform an audience, an individual, or en masse, to transform them and give them an epiphanal experience that changes their life, opens their hearts and their minds and the way they think.
The way we experience history and time in all its forms shifted quite massively between 1989 and 2001 - to the point where contrivances like decades are now kind of silly.
Masterpieces are not single and solitary births; they are the outcome of many years of thinking in common, of thinking by the body of the people, so that the experience of the mass is behind the single voice.
I'd spent 25 years in government when I left the Defense Department back in '93, decided I'd go spend the rest of my career in the private sector, and then the president tapped me to come be his running mate. And it's been a remarkable experience. I wouldn't have missed it for the world.
I want to be taken out of our material world and experience something that is in another dimension.
So that ends my first experience of matrimony, which I always thought a highly over-rated performance.
In spite of his practical ability, some of his experience had petrified into maxims and quotations.
I believe there's no proverb but what is true; they are all so many sentences and maxims drawn from experience, the universal mother of sciences.
