It's pointless to have a nice clean desk, because it means you're not doing anything.
I've had to make the transition from sweeping in for 15 minutes, doing my stuff and clearing out, to carrying a movie for the duration - in a dress.
We survived for hundreds of years under the old banking structure. You'd have clearing banks, then merchant banks doing the racy stuff, and then building societies where you'd join a waiting list for a mortgage. But then banks started buying stockbrokers, doing mortgages, and you ended up with these big banking groups doing everything.
I know it sounds cliched, but if we just treated each other as we'd like to be treated ourselves, we'd all be doing a lot better.
When I turned 50, something clicked in my head and I said, 'I'm not going to live to 100. I'm half-cooked already.' I set the family down and I said, 'Listen everybody, we're now entering the decade of Daddy. We're going to start doing things that I want to do.'
As I get more experienced, I love the idea of going into big mountains and doing big climbs. But the problem is, it's getting more dangerous, especially alpine climbing.
It's the journey toward doing these harder climbs that really gives value to the whole activity of climbing.
I've battled with that type of stuff, but what I've found is that by doing stand-up, I've actually learned about depression and how to combat it. I don't have clinical, but I've definitely had my bouts with it.
The one thing about doing all those movies and all that television is I know what I'm doing. And I can do what Sean Connery can do. I can do what Clint can do. People even say I look a little like Clint. But that's just because I'm skinny and tall and old. With a receding hairline.
I play with doing a forehead bun a lot, just a bantu knot right in front of the forehead and keep it in with a clip. And I like doing real pinup styles but based on my natural hair.
I was never into the popular school or clique or anything. Then I started doing movies when I was in high school, so then I got popular. Then the girls paid attention to you who didn't before.
I didn't really like the aloneness of doing stand-up. The comedians by nature weren't very - I mean, they were sociable, but they hung out in cliques, and it's very hard to get accepted; lots of competition.
You're lucky enough in television to always be at it, to always be doing it. It's like you're constantly that person, always, all the time. It gets to be like clockwork.
Everybody thinks performance capture is about thrashing around and doing a lots of movement, but it's actually about being able to contain and think and be believed in a close-up, as much as anything else.
It's the most unrealistic thing you can do to shoot a close-up, and it's the most unrealistic place you can be as a performer. And yet actors grouse about having to do visual effect shots, but they love doing close-ups.
I just kind of keep doing what I'm doing, keep plugging away, kind of hide behind closed doors sometimes, which is nice, kind of the way I'd like to keep it.
I wanna do some more goofy comedy stuff; I really enjoyed doing 'A Touch of Cloth.'
We're not doing outrageous fashion; I make sports clothes that are relatively conservative, clothes that everyone wears.
All of everything we've ever done has been riding on low expectations. 'Cloudy With a Chance of Meatballs,' a terrible idea. Doing '21 Jump Street' as a movie is a terrible idea. 'The Lego Movie' sounds like a terrible idea.
I didn't do it because of the underlying greed that's prevailing, but it is about greed, doing the right thing at the right time using your clout when you have it and what for and what reason.
