If you mention any ideological thing about shooting 'Last Tango in Paris,' I was thinking I was doing a political film.
When you're public, you're at the mercy of the markets. You can be doing extremely well, but if the markets are in the tank or your industry is in the tank, you don't get rewarded for it.
I first started doing some somewhat technology-based shows in the '80s. If you wanted to get real technical about it, back in the '70s I used to open up with Utopia with just me on the stage with a four-track tape recorder. So, technically, I've been using the help of various devices pretty much throughout my career.
When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.
All of my friends at drama school were still sat on the floor doing voice exercises and I was doing scenes with David Tennant and Catherine Tate.
I thought the grunge scene was cool. This is going to sound weird, but I remember doing a concert at a tavern in the mid-'80s with Nirvana.
It is my hope that by reducing the tax burden on small business owners that we can help them grow their businesses and, in doing so, create jobs.
For Trump, the reasons to release his tax returns have always been compelling. Doing so would show the American people he doesn't just talk about accountability and transparency but also walks the walk.
I'm just going out there and doing exactly what I'm coached and doing exactly what I'm supposed to do and just trying to help this team win.
For this game, we shot it just like it as if it was a film so there wasn't that much different from doing a film other than some technical things for the costume that had to be done so they could transfer the footage later and make it look animated.
I think the challenge for all technology companies is to modify what they're doing to be what the market needs at that point.
They were marketing me as a teen idol, when the stuff on the record was not what teen idols were doing at the time.
The first time someone asked us for an autograph was the moment we realized we were doing something that most people spend their teenage years dreaming about, for sure.
Telecom companies are doing very, very well. And the internet economy is doing very, very well.
I have quite a bit of experience reporting on corporate behavior, both doing it with independent operations in early in my career, in the underground press, to magazines like 'Rolling Stone,' to regional newspapers and television, and television news programs, to papers like the 'New York Times' and public television.
I never really planned on doing a television series.
I just can't stop doing Telugu films just when I have started speaking a little better Telugu.
I learned from master teachers at the University of Evansville, at Juilliard, at Shakespeare festivals all over the country, eventually landing at Shakespeare in the Park in N.Y.C. That show transferred, so I got to make my Broadway debut doing 'The Tempest' with Patrick Stewart.
Music is rhythm, and all theater is rhythm. It's about tempo and change and pulse, whether you're doing a verse play by Shakespeare or a musical.
I've had moments in my life when I've thought if I wasn't acting, if I wasn't doing what I do and I had a career in the private sector and I didn't have a family, that I do have some tendencies where I could really kind of have a monastic existence and be okay with it.
