To date or not to date that is the question. It's almost as important as Shakespeare's to be or not to be which deals with death.
I look at 'Death Proof' and realize I had too much time.
If you die you're completely happy and your soul somewhere lives on. I'm not afraid of dying. Total peace after death, becoming someone else is the best hope I've got.
The body dies, but the spirit that transcends it cannot be touched by death.
There's no tragedy in life like the death of a child. Things never get back to the way they were.
Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all.
I hope, by God's grace, that I am truly a Christian, not deviating from the faith, and that I would rather suffer the penalty of a terrible death than wish to affirm anything outside of the faith or transgress the commandments of our Lord Jesus Christ.
Despite living in this post-9/11 age of transnational terrorism, the risk of death during air travel has plummeted to the point where we now measure it in the 'per billions' of passengers.
All travellers who had preceded me into the Barren Grounds had relied on the abundant game, and in consequence suffered dreadful hardships; in some cases even starved to death.
Only those who spread treachery, fire, and death out of hatred for the prosperity of others are undeserving of pity.
Death row saved my life. It taught me everything is a luxury to be treasured.
The whole idea of 'Death Line' was to kind of highlight class distinctions in England more than to make a scary movie, and I just kind of wrapped my political treatise of the class distinctions in England in this movie.
The meaning of life is not to be discovered only after death in some hidden, mysterious realm; on the contrary, it can be found by eating the succulent fruit of the Tree of Life and by living in the here and now as fully and creatively as we can.
I wanted Season 2 of Luke Cage to be Ice Cube's 'Death Certificate,' or Fugees' 'The Score,' or Public Enemy's 'It Takes a Nation of Millions to Hold Us Back,' or my favorite, 'The Low End Theory' by A Tribe Called Quest.
Death, the final, triumphant lover.
The letters and journals we leave behind and the impressions we have made on our contemporaries are the mere husk of the kernel of our essential life. When we die, the kernel is buried with us. This is the horror and pity of death and the reason for the inescapable triviality of biography.
Death showed up in my life very early on, so I'm aware of it. If you look at most of the things I write there's a sort of contemplation of mortality - although 'True Blood' doesn't fall into that. Even though there's such a ridiculously high body count!
Death is not the end; it is but one more step in a great forward march made possible by the redemption wrought by the Savior. This is the spirit of true science - constant and eternal seeking.
I feel my dad, I still feel his love, and I still love him. I would do anything to have him back, but half the reason that my life is good, has real, true value, is that he died. I would obviously rather have him alive, but he gave me so much in his death.
Deep down, no one really believes they have a right to live. But this death sentence generally stays tucked away, hidden beneath the difficulty of living. If that difficulty is removed from time to time, death is suddenly there, unintelligibly.
