Good clothing is a passport to happiness.
I absorbed as many Impressionist paintings as I could, in Parisian museums and in many museums in the United States and in books, looking for clues to architecture, clothing, settings.
I am not really interested in clothing as a conceptual art form.
Relief organizations both large and small are coordinating deliveries of food, clothing, water, and other basic necessities to those impacted by Katrina.
That cowboy look - the hat and the bandana - that's not a fashion statement. That clothing is purely practical.
Of course, clothing fashions have always been impractical, except in Tahiti.
Labels are for filing. Labels are for clothing. Labels are not for people.
I gravitated towards the field of clothing design, partly because it is a creative format that is modern and optimistic.
The world doesn't need another clothing company. But it does need a certain funk.
Since grade school, I focused on women's clothing.
I'm very involved with PETA - People for Ethical Treatment of Animals - and Greenpeace and a lot of women's shelter and clothing giveaways.
I model irregular clothing.
I built my work from within instead of satisfying a demand for sexualised and ostentatious clothing.
Stage outfits are loud, outspoken, glamorous, fancy, and very different from normal day-to-day clothing. Therefore, by its nature, it is experimental.
In almost every case, whenever a tariff or quota is imposed on imports, that tax is strongly supported by the domestic industry getting the protective shield from lower-priced foreign competition. The sugar industry supports sugar tariffs; textile mills lobby for tariffs on foreign clothing.
I didn't reinvent clothing; I reinvented the edit.
I'm always ripping clothing. It's so embarrassing.
I would wear a top that is not very tight. I would probably wear a scarf, which I find one of the best pieces of clothing there is.
Well, what I'm doing is really clothing. I'm not doing sculpture.
I've always been kind of deep into thrifting and secondhand clothing.
