The war is dreadful. It is the business of the artist to follow it home to the heart of the individual fighters - not to talk in armies and nations and numbers - but to track it home.
In getting Under Armour started, like any business, I think, number one, you need a great idea.
In getting Under Armour started, like any business, I think, number one, you need a great idea. But it's also about who you know.
But I believe in fair trade, and I will tell you, I have many, many friends heading up corporations, and people that do just business in China, they say it's virtually impossible. It's very, very hard to come into China. And yet, we welcome them with open arms.
Have we been going up and down in business, and are those round about us as yet unaware of our Christian character? Have we never spoken to them the Word of Life? Lord, arouse us to a deep concern for all with whom we come in contact from day to day.
I don't join the New Atheists. So, for example, I wouldn't have the arrogance to lecture some mother who hopes to see her dying child in Heaven - that's none of my business, ultimately. I won't lecture her on the philosophy of science.
By my count, more business leaders have failed and derailed because of arrogance than any other character flaw.
I don't go to New York. I don't go to parties. I just do my business and study nature. My career is 28 years in an obscure art school, with limited staff and no perks. All I am is a teacher.
I was in art school since I was five years old. I've always been to art school. Everything that's happened to me, nothing's been planned. I've never had a business plan. I just kind of fell into it, and I liked it, and I took a chance. I took a lot of chances in my life.
I began painting well before I started doing comedy. In fact, when I came out of the war in 1946, I enrolled in art school in Dayton, Ohio. I painted for three years, and then show business took hold.
My first-ever job in the movie business, I was an art student at Carnegie Mellon, and they were shooting the movie 'Gung Ho' in Pittsburgh, and I worked as an extra for a few days. Michael Keaton bumped into me in one scene, and it's in the movie. And I worshipped him.
You have got to have an agent. It's a business. But I think there is a way to be artful and commercial at the same time.
Los Angeles is such a town of show business, and I'm a terrible celebrity. I find it difficult - it's the beast that must be fed. There's this big wheel of pictures and articles that goes around, and you get pinned on it.
Good business leaders create a vision, articulate the vision, passionately own the vision, and relentlessly drive it to completion.
Artificial intelligence is here and being rapidly commercialized, with new applications being created not just for manufacturing but also for energy, healthcare, and oil and gas. This will change how we all do business.
I have made a promise to myself that I will have no limitations as an actor. I have realised I have to pay attention to the commercials or the business aspect of cinema, but deep inside, I am purely an artiste.
There ought to be an artistic depot where the artist need only hand in his artwork in order to receive what he asks for. As things are, one must be half a business man, and how can one understand - good heavens! - that's what I really call troublesome.
I think that every artist - or anybody that's in business - could benefit from a direct-to-consumer strategy, so I think that that applies to us as artists and content creators, too.
Everybody who goes into government gets somewhat chewed up in the process. Being a senior appointee is like being at a startup, only more so: You run into opposition from the entrenched oligopoly of contractors whose business model is to extract as much money from government as possible for doing as little as possible.
I'm grateful for the ascendancy of women in business and politics, which may yet advance the humanity of those callings.
