Art, it seems to me, doesn't need freedom so much as it needs courage and love - some would call it 'soul' or 'Eros.'
There is no art without Eros.
Errors are not in the art but in the artificers.
Let's face it: professing a deep interest in movies, the absolutely dominant global art form of the last century, is at this point like professing an interest in air. Passion is nice. Erudition is admirable. But it's like that moment when good manners cross over into meaningless etiquette.
We've been worried for some time that one of the ways that North Korea can retaliate against further escalation of tensions is via cyber, and particularly attacks against our financial sector. This is something they have really perfected as an art against South Korea.
Music and art and culture is escapism, and escapism sometimes is healthy for people to get away from reality. The problem is when they stay there.
Minimalism? It is something I appreciate as an art form but leave to others - unless you count a collection of warhorse-workwear Yves Saint Laurent trouser suits. Maybe my penchant for hippie-deluxe eccentricity came from an escapist dream of a different world. It was tough being a working mom in the 1970s.
Movies will end up being this esoteric art form, where only singular people will put films out in a small group of theaters.
I believe that a work of art, like metaphors in language, can ask the most serious, difficult questions in a way which really makes the readers answer for themselves; that the work of art far more than an essay or a tract involves the reader, challenges him directly and brings him into the argument.
I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
Religion is essentially the art and the theory of the remaking of man. Man is not a finished creation.
Music and fashion and art - they were the things we were willing to die for. 'Is my hair all right? Have you heard this tune?' They're the things that saved us. They're the things that are saving kids on Nuneaton council estates. There's no other way out.
I have no fear of making changes, destroying the image, etc., because the painting has a life of its own.
My background is in art. I was a painter and an occasional sculptor, and I really like materials - you know, stuff. Physical objects. The world and the trees and the sunshine and the flowers. And all of that doesn't seem to really exist out in the ether of the Internet.
Music draws from almost the identical place as art does, which really is that intangible - it's like you're pulling from the ether. I don't know where it comes from.
To me, it's like the difference between a pen and a paintbrush. Music draws from almost the identical place as art does, which really is that intangible - it's like you're pulling from the ether. I don't know where it comes from. Nobody really does. It sort of arrives when it wants to.
Education is the art of making man ethical.
All I knew about Ethiopia was from a few records that I like, as well as what I read about the famine. But you get there and it's another world. It's filled with art and music and poetry and intellectuals and writers - all kinds of people.
I think that in Sweden and a lot of European countries, there's this whole mythology of the wounded artist: that you can't really do any great art unless you're suffering.
I was really inspired by these larger-than-life female artists like Lee Bontecou and Eva Hesse and Yvonne Rainier and the incredible Lynda Benglis. There were many women who were really driven and became successful, who were part of essential paradigm shifts, despite the fact that the art world was still dominated by men.
