American history is longer, larger, more various, more beautiful, and more terrible than anything anyone has ever said about it.
There's not an American in this country free until every one of us is free.
The scars and stains of racism are still deeply embedded in the American society.
I'm not talking with an American accent. I haven't gone off and become Sammy Hagar.
Nobody's going to tell me to rap in an American accent.
I love talking in an American accent. Even though it hurts my face after a few hours.
I'm not good enough to flip in and out of my Brit accent to my American accent.
Don't let the American accent fool you. I am British.
Well, I did two lines on a TV show called 'Cleopatra 2525' really badly with an American accent; it was terrible!
I'm completely Americanized - I have an American accent, an American wife - but a residue of me is foreign.
When I arrived in L.A., I assumed I'd be able to put on the American accent. It proved difficult, so I had six months working with a dialect coach, and it's become a habit.
I never actively went out and studied the American accent. I just came over here to the States, and it was something I was able to do. Like, I never struggled with it.
There are actually quite high profile British TV star cameos in it that you probably wouldn't even notice, that the British wouldn't even notice, let alone the American audience.
I'm fascinated to see how 'Black Watch' connects with an American audience.
I wanted to introduce a contemporary Asia to a North American audience.
If an American audience is given a serious musical theater piece that is well produced, dramatically gripping and wonderfully acted, they'll respond to it.
I got to learn from the American audience. Hearing what it is they're not getting. These are audiences, 35 to 40, an older demographic that controls seven to 10 trillion dollars. And the producers and distributors have convinced themselves this group doesn't go to the movies.
I think the composer and production staff of an opera have a real responsibility to use visual elements of all kinds to make clear to the American audience, at any rate, exactly what is going on.
American audiences are just the same as any other audiences. Except a bit more boring.
I make American films for American audiences and Asian films for Asian audiences.