I just admire people like Woody Allen, who every year writes an original screenplay. It's astonishing. I always wished that I could do that.
I always am astounded at how willing Steve was to share all about himself. And sometimes he got criticized for it. But he was so open and yet so private about some things.
It's always astounded me to have succeeded at having kids. It's crazy!
I want to play Lena Horne because I've always been fascinated with her. Her talent was astounding and more than that, her life story is incredible.
When we meet people who are astronauts or deal in astronomy, it's always really fascinating.
Astronauts working for the government will always need to be either pilots or mission specialists. Those who want to be pilots should have military experience - ideally, a test pilot background.
We always had National Geographic and Astronomy magazines and Popular Mechanics lying around the house. I got interested in exploration and different parts of the world and different parts of the universe just from seeing those things around the house and the different discussions we had as a family.
'Lost' is such a thematic show that I'm always afraid that if I know something's going to happen at the end, I'll subconsciously write something in where someone who's astute will go, 'Oh, he used so-and-so's theme: that must mean so-and-so is coming back!'
I always had a desire to know asylum life more thoroughly - a desire to be convinced that the most helpless of God's creatures, the insane, were cared for kindly and properly.
It always disappoints me when I go to a concert and they don't play my favorite song, or at least one of their biggest hits.
We had some really powerful technology - Atari always was a technology-driven company, and we were very keen on keeping the technological edge on everything. There's a whole bunch of things that we innovated. We made the first computer that did stamps or sprites, we did screen-mapping for the very first time, and a lot of stuff like that.
Questioning my spiritual life has always been germane to what I was writing. Always. It's because I'm not quite an atheist and it worries me. There's that little bit that holds on: 'Well, I'm almost an atheist. Give me a couple of months.'
I always look back to my first Olympic medal in 2004 in Athens. I was very new to the sport, and it was my first big win at the Olympics.
I was a very shy character, always feeling uncomfortable because everybody was stronger than I, and always afraid I would look like a sissy. Everybody else played baseball; everybody else did all kinds of athletic things.
I've always seen the Olympics as a place where you could act out your differences on the athletic field with a sense of sportsmanship and fairness and mutual respect.
In athletics there's always been a willingness to cheat if it looks like you're not cheating. I think that's just a quirk of human nature.
I used to always be in Atlanta, chilling. I didn't really have as much to do. So I would gamble as a hobby. Now I'd rather go into the studio and try to make me a hit.
I always seem to get inspiration and renewed vitality by contact with this great novel land of yours which sticks up out of the Atlantic.
I am always trying to find fabrics that are more friendly to the environment - working with Virgin Atlantic, they managed to research into this and find more eco fabrics.
The atmosphere of orthodoxy is always damaging to prose, and above all it is completely ruinous to the novel, the most anarchical of all forms of literature.
